Mike Ormsby

- what the illiterati is been reading -

It’s only Eurovision but…

Posted by mikeormsby on May 17, 2012

… I like it.

I’ve been based in Azerbaijan for the last 18 months and I write to you from the capital, a city with fever: Baku has Eurovisionitis. The bug is highly infectious, millions of people are affected and only large doses of international media attention will alleviate the symptoms across the country. As a Brit, I developed immunity long ago but am watching it spread swiftly, like a plague of Biblical proportions. Eurovisionitis zaps brain cells, causes palpitations of the heart and soul, and an irresistible urge to vote by SMS. You have been warned. If your toe is tapping as you read this, please contact a DJ and ask for a check up.

The crisis appears to have started with an outbreak of national delirium following Azerbaijan’s well-deserved win in last year’s Eurovision Song Contest, with the song ‘Running Scared’, probably one of the catchiest tunes since barefoot diva Sandie Shaw won with ‘Puppet On A String’, in 1967. Sandie was British and her success triggered chronic Eurovisionitis back home. Our illness was cured by the decline in the quality of British entrants, by a sudden increase in the contest’s kitsch factor and by the rather creepy politicization of the voting process. Nevertheless, Eurovision seems more popular than ever and now the stethoscope is on Azerbaijan.  Sorry, I mean the spotlight. Question is, what might be revealed?

If and when you watch Eurovision this month, you will no doubt enjoy impressive footage of a country in transition. Azerbaijan is changing and Baku is one of the world’s richest and fastest developing capital cities, its growth funded by lucrative revenues from massive reserves of oil and gas. An American geologist recently told me that one of Azerbaijan’s new gas fields “measures 6 miles deep, top to bottom”. That’s a lot of mamaliga, certainly enough to win friends around the world during a time of global austerity and high oil prices.

Closer to home, the social effects above ground are, of course, more visible – Baku has lots of flashy cars, designer shops and exclusive places to have fun.

Numerous reconstruction projects are underway, including a special arena purpose-built for Eurovision. Some of the buildings make your eyes pop, and at night Baku looks like the futuristic city in Blade Runner. My favourite one is based on the handwritten signature of Heydar Aliyev, the former KGB officer who became president after Azerbaijan split from the Soviet Union. Imagine a building based on your own signature, curling and poking into the sky like some giant meringue baked by Dali? Crazy but I love it.  Maximum points.

The existence of that building perhaps contradicts a recent news item on the BBC, which suggested that the authorities in Azerbaijan ‘lack a sense of humour’, although that reporter was referring to the controversial case of the ‘donkey bloggers’, two young men who posted on the Internet a video of a donkey giving a mock press conference in Azerbaijan. They went to jail for their cheek but were released after an international outcry.

The ‘donkey’ controversy highlighted one of the difficulties faced by a country in transition from Communism to democracy: when is free speech OK and when is it too provocative? More recently, some locals claim to have been evicted to make way for new construction projects, although the local authorities insist they were compensated. When animal rights activists claimed that local police were shooting street dogs in Baku as part of a clean-up campaign, their claims too were refuted.

Whatever the truth in such cases, the organizers of Eurovision hope to avoid politics before and during the song contest. Of course, they cannot hope to resolve the bitter animosity between Azerbaijan and Armenia, but they were probably encouraged to hear one of the ‘donkey bloggers’ recently urging foreigners not to boycott the contest, but rather to come and see it, and the country, for themselves.

However, my friend Kolea won’t be watching. Kolea was a homeless man who used to live in the alley near my block and survived on a few pennies from odd jobs. He visited Romania many years ago, as part of the Azerbaijan karate team, or so he told me in one our sign-language chats.  During the recent severe winter he slept in the snow, huddled in his polyester blankets. One day, I asked Kolea if there was a shelter for homeless people in Baku. He smiled and shrugged his shoulders. I bought him some clothes and gave him some hot food in my flat, where he grabbed my guitar but seemed puzzled that could not play it. Maybe he had forgotten how? A few days after his visit to my flat, Kolea took ill and died, but not because of Eurovisionitis.  I’ll watch the song contest on TV but I’m not sure who will get my vote. The best tune, I suppose. Because that’s what it’s all about, isn’t it?

***

First published in Playboy, May 2012, by S.C. MediaFax SA, Romania.

To see the original page from the magazine, please click this link: playboy mai 2012

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Atenţie! Urgentă medicală

Posted by mikeormsby on May 17, 2012


 E numai Eurovision, dar îmi place…

(Please click the link below… mulţumesc for reading : )

playboy mai 2012 eurovision

First published in PLAYBOY, May 2012, by S.C. MediaFax SA, Romania.

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United We Fall

Posted by mikeormsby on May 1, 2012

Things that bring us together can drive us apart.

I’m getting interested in fashion, these days. I like my Flemings jeans and my Gola training shoes. Most of all, I like my new Ben Sherman shirt with the button-down collar. I have waited months to get one and it’s a beauty – white with blue stripes.

Tom Allen has a Ben Sherman too, of course. We are best friends, although he lives in a better part of town. We met in infants’ school, became altar boys together and enrolled in the same secondary school, not long ago. At weekends we play football and tennis or go to watch Liverpool play at Anfield, wearing our Flemings jeans and Gola trainers.

Tom’s mum works in a bank, she’s quite posh, likes talking more than listening and can be a bit prickly if you cross her. She comes to our house to drink tea with my mum every Sunday after Mass and they agree we look smart in our Bennies. Tom’s is yellow and white check.

So far so good, but we need a special occasion to wear our new shirts and impress the girls in our class, show them there is more to us than they might think.  We are 12 years old when our chance comes: a school day trip to Stratford upon Avon, to see the house of William Shakespeare. He’s a dead guy who wrote comedies that you never see on TV but it will be a good day out.

I’m not sure who suggests we wear Bennies on the trip, probably one of the bad lads that live near me? Anyway, Tom agrees it’s a good idea. The only problem is, school uniform is compulsory for day trips: maroon blazers, grey pants and grey sweaters. The solution, we decide, is not to tell our parents that we are supposed to wear grey shirts too.

The morning of the trip, we line up alongside the school bus, clutching our packed lunches and wearing our Bennies with school ties (full Windsor knot, of course).

We’re feeling good until we spot our strict headmaster standing on the bus. We had no idea he was coming. He’s frowning down at the bad lads ahead of us. “Where are your school shirts?” he says.

“Mine got ripped,” says the first lad.

“Mine is in the wash,” says the second.

The headmaster scowls and lets him on the bus but his eyes pop when he sees Tom and me. He folds him arms and says: “Ormsby and Allen, why the hideous shirts? You know you’re breaking school rules, of course?”

We know it will sound stupid to repeat the lies of the bad lads but we don’t know what else to say because we’re not schmecher. We are altar boys with big ideas and wobbly legs so we remain silent and our headmaster says: “Silence is an admission of guilt. You are not coming to Stratford.” The doors hiss and the bus drives away and the girls from our class stare from the back window. “Now what?” Tom says and it’s a good question.

We could muck about in a park all day and go home in the evening and tell our folks Stratford was brilliant. Instead, we wander home in shock and tell our parents the truth, when they ask. Honesty seems a good idea but it changes everything.

Tom’s mother is very angry that we were punished while the other boys were not. A week later day she sends him to a different school, five miles away. We’ll never sit in class together again and soon he’s got new friends that I do not know. She also changes his church routine so we no longer serve Mass together. Does she blame me, somehow? She stops visiting my mother for tea and chat … have our parents had a row?

I never find out, because Tom and I drift apart and it hurts like hell, as if I lost an arm. We meet only twice a term when our school football teams play and he seems to delight in speeding past me as a striker and I delight in bringing him down to earth as a defender. We are not enemies but we’re not friends anymore.

Tom is 16 when his mother dies of a heart attack. I go to the funeral but he drifts past me like a ghost.

We meet by chance one warm summer evening aged 18, queuing at the bar in a pub. We chat briefly about our plans for college. Tom is wearing a Ben Sherman, I can tell by the stitching and the little loop on the back. They are cool shirts, always will be.

When I take my drinks back to my girlfriend, she says: “Who was that?”

I gaze into my beer and say: “Some lad I used to know.”

***

First published in Playboy, April 2012, by S.C. MediaFax SA. To see the original page from the magazine, please click this link: playboy aprilie 2012

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Dezbinaţi suntem sortiţi eşecului

Posted by mikeormsby on May 1, 2012

Lucrurile care ne apropie ne pot şi despărţi

Zilele astea sunt interesat de modă. Îmi plac blugii mei Flemings şi pantofii sport Gola. Dar mai mult decât orice, îmi place camasa mea noua Ben Sherman, cu gulerul incheiat in nasturi.  Am aşteptat luni de zile sa-mi iau una şi este pur şi simplu o minunăţie – în dungi, alb cu albastru.

Tom Allen are şi el o camasa Ben Sherman, desigur. Suntem foarte buni prieteni, deşi el locuieşte într-o zonă mai de fiţe a oraşului. Ne-am cunoscut la scoala primara, am cântat amândoi în corul bisericii şi nu mult după aceea, am frecventat acelaşi liceu. La sfarsit de saptamana jucam fotbal şi tenis sau mergem să vedem meciurile echipei Liverpool, la Anfield, purtând blugii noştri Flemings şi adidaşii Gola.

Mama lui Tom lucrează la o bancă, este o femeie stilată dar plina de nervi,  îi place să vorbească mai mult decât să asculte. Ea vine la noi în fiecare zi de duminică, după slujba de la biserică, bea ceai împreună cu mama mea şi amândouă sunt de părere că arătăm “cool” în camasile noastre cele noi. Al lui Tom e pepită, galben si alb.

Arătăm bine, dar avem nevoie de o ocazie specială pentru a le purta, sa încercam  să le impresionăm pe fetele din clasă, sa le arătam  că suntem mai mult decât părem. Şansa ne surâde la 12 ani, sub forma unei excursii de o zi cu şcoala, la Stratford upon Avon, pentru a vedea casa lui William Shakespeare. Pentru cine nu ştie cine e Shakespeare, e un tip care a murit şi care a scris niste comedii care nu se dau nici macar la televizor. Dar, ziua se anunţă perfectă.

Nu sunt sigur cine ne-a sugerat să purtăm camasile Ben Sherman în excursie, poate unul dintre baietii rai, care locuieşte lângă mine? Oricum, Tom spune că e o idee bună. Singura problemă este că în excursii cu scoala este obligatoriu sa purtam uniforma: jachete maro, pantaloni şi pulovere gri. Soluţia ar fi să nu le spunem părinţilor că trebuie să purtăm şi camasile de scoală, gri. În dimineaţa excursiei, ne aliniem lângă autocarul şcolii, ţinându-ne strâns pachetele cu mâncare, îmbrăcaţi în camasile noastre, Ben Sherman cu cravata şcolara (cu nod Windsor, desigur).

Ne simţim bine până în clipa în care îl remarcăm pe severul nostru director de şcoală, stând lângă autobuz. Habar n-am avut că va veni şi el. El se încruntă la baietii răi din faţa noastră. «Unde vă sunt camasile de la uniformă?” întreabă el.

“A mea s-a rupt,” spune primul.

“A mea e la spălat,” spune al doilea.

Privirea directorului e mânioasă, dar îi lasă să se urce în autobuz, asta până când dă cu ochii de mine şi de Tom. Îşi încrucişează mâinile şi spune: «Ormsby şi Allen, de ce camasile astea oribile? Ştiţi că încălcaţi regulamentul şcolar, nu?»

Ar suna stupid să repetăm minciunile celorlalţi, dar nu ştim ce să spunemaltceva, pentru că noi nu suntem şmecheri. Noi suntem băieţi din corul bisericii, cu idei măreţe şi picioarele şubrede, aşa că tăcem din gură, iar directorul spune: “Tăcerea este o recunoaştere a vinovatiei. Nu aveţi ce căuta la Stratford.”

Uşile se închid, iar autobuzul pleacă, în timp ce fetele din clasa noastră se holbează pe geamul din spate. “Acum ce facem?” întreabă Tom şi mi se pare a fi o întrebare pertinentă.

Am putea pierde timpul într-un parc, ne ducem acasă seara şi le spunem tuturor că excursia la Stratford a fost fantastică. În loc să facem asta, ne ducem direct acasă, inca şocaţi şi le spunem părinţilor noştri adevărul, atunci când ne întreabă ce s-a întâmplat.

Sinceritatea pare o idee bună, dar asta schimbă totul. Mama lui Tom este foarte furioasă că noi am fost pedepsiţi, în timp ce ceilalţi băieţi nu.

O săptămână mai târziu, ea îl trimite pe Tom la altă şcoală, la 8 kilometri distanţă. Nu vom mai fi în aceeaşi clasă, iar în curând el îşi va face prieteni noi, pe care eu nu îi cunosc. Începe să meargă şi la altă biserică, aşa că nu ne mai întâlnim nici la slujbă. Oare mă consideră pe mine vinovat pentru tot ce s-a întâmplat? Mama lui Tom nu mai vine nici măcar în vizită la mama mea…oare părinţii noştri s-au certat?

Nu voi afla asta niciodată, pentru că Tom şi eu suntem departe unul de celălalt şi chestia asta doare ca naiba, de parcă mi-aş fi pierdut o mână. Ne întâlnim numai de două ori pe trimestru, atunci când echipele de fotbal ale şcolilor noastre au meciuri împreună; el pare încântat să mă întreacă în viteză, ca atacant, iar mie îmi place să-l trântesc la pamânt, în calitate de apărător. Nu suntem duşmani, dar nu mai suntem nici prieteni.

Tom avea 16 ani atunci când mama lui a murit de atac de inimă. Am fost şi eu la înmormântare, dar Tom a trecut pe lângă mine ca o fantomă. Ne întâlnim apoi întâmplător într-o seară caldă de vară, la vârsta de 18 ani, la coadă la bar, într-un pub. Vorbim puţin despre planurile noastre legate de facultate. Tom poartă o camasa Ben Sherman, îmi dau seama de asta după cusături şi după butoniera mica de pe spate. Sunt camasi mişto şi întotdeauna vor fi aşa.

Când mă întorc cu băuturile înapoi la prietena mea, mă întreabă: “Cine era?” Mă holbez la bere şi răspund: “O cunoştinţă mai veche.”

***

[First published in Playboy, April 2012, by S.C MediaFax SA]. To see the original page from the magazine, please click: playboy aprilie 2012

Posted in PLAYBOY (Rom) 2012 | 2 Comments »

Patru femiei in zona fierbinte

Posted by mikeormsby on April 24, 2012

048-052 Femei Africa

< please click link, multumesc : )

[First published in ELLE magazine, February 2009, by  S.C. Edipresse A.S. SRL, Romania.

Photos: Mike Ormsby & Jerome Le Roy].


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Back to Africa: Four women in the hot zone

Posted by mikeormsby on April 24, 2012

We’ve all heard how our world is ‘a village’, where time and distance matter less and less, and where many of us can connect online, like now. But it’s one thing to sit at home checking a country on Wiki, to visit it on holiday, or to pass through on a business trip. It’s quite another to live and work abroad, long term.

In this report for ELLE magazine,  two women from Romania and two from Moldova talk about the years they’ve spent in Africa.  How does it feel? What are the pros and cons? How do you get a job there?


1. DANA LE ROY


We’re in an SUV, driving on a long, wide and very straight stretch in downtown Bamako. It’s chaos out there: honking lorries, swerving cars and buzzing motorbikes. Dana Le Roy points at the road ahead: “Guess what this used to be?” she asks. I shrug, clueless. She explains with a smile: “An airport runway.” In the front seat, her husband Jerome chuckles and turns to face me. “How’s that for improvisation?” he says. “Welcome to Mali.”

The Le Roys know a few things about improvisation. Jerome is a French diplomat who juggles big EC budgets; Dana is a Romanian medical doctor who drifted into media. They’ve just arrived after four years in Rwanda where Dana produced documentary films for Internews, an American NGO that uses media to boost development in emerging democracies.

Dana has a quick mind, bright eyes and a naughty smile. She enjoys living and working in Africa, even if it is a challenge at times. She talks fast, hardly pausing for breath as she answers my questions. Her enthusiasm is contagious.

What brought you to Africa?

“Jerome’s first job with the EC, as senior accountant in Rwanda. We arrived in 2004 and I first got involved with Save the Children, a UK charity promoting children’s rights. Often, I was the only foreigner so I had to think on my feet and learn a few local phrases to get through the day. Plus, I did a lot of travelling around the country, living in containers. That was tough!”

“Then I moved to Internews. Initially, my job was to close it down, since its public education film-making project, Justice After Genocide, was complete.”

Except being stubborn and determined, you soon had other ideas?

“Yes! The previous manager trained twelve local staff to international standards and installed AVID digital editing suites. They had made thirty-five films about post-genocide justice, shown around the country on mobile screens and in prisons, with public debates afterwards. This made me feel that our bosses in Paris and the USA had the wrong idea. It seemed a waste to close such a project and I wanted to keep it open, to find different subjects for more films that would contribute to Rwanda’s stability and development.“

After a bit of head scratching, networking and lobbying, it paid off. Over the next three years, Dana helped to secure almost €1m from diverse funders including the EC, World Bank, UNDP, US embassy, UK government and Rwanda’s tourism office. During this time, she produced seventeen new films on range of issues such as the demobilisation of child soldiers, a dance festival, and how football helps peace. One of the most powerful is a film about an EC-backed construction project in Kigali, where local people worked for five years to repair a dangerous ravine that had sliced their neighbourhood in two.

I watched the film at Dana and Jerome’s cool marble-tiled home in Mali. Needles to say, the bridging of the ravine – a geological divide – provides a perfect metaphor for peace and reconciliation.

Onscreen, you see Hutus and Tutsis, former killers and genocide survivors, sweating side-by-side in mud and rock to rebuild their community with their bare hands. One couple even fell in love on the project and were later married. “When we showed the final film, people were in tears,” says Dana, with a sigh of professional satisfaction.

But her favourite film is the one about the fabrics. She and her team got the idea when looking for a story about reconciliation in a huge refugee camp near the border between Rwanda and the Democratic Republic of Congo,

“Those two countries share a long troubled history. In one IDP* camp there were more than 100,000 people living in tents. These were not poor people, but well-fed farmers with large families, who had escaped from conflict. Now they were living on thirty grams of flour a day. Sheer hell.”

Of nearby Goma in Congo, Dana says: “The town full of volcanic lava from recent eruptions, everywhere looks gray and depressing. But we noticed a tailor in the camp, making clothes from the brightly patternedpagne’ fabric that is so popular in so many African countries. Men buy romantic patterns for sweethearts and vice versa. Socially, it’s important to look smart. We said: look, that’s our story! Because pagne represents a shared culture, not conflict or difference.”

How did the locals react?

“They loved it. We filmed in both Congo and Rwanda. They said politicians, not ordinary people, cause conflict. The Rwandans cherished the pagne fabric imported from ‘our friends across the border’. Most of these women have seen terrible times, horrific violence. It’s hard not to get sad when you talk to them. We wanted to tell a happy, uplifting story for them. I think we succeeded.“

As a wife and mother, how do you balance work and home?

“I don’t travel so much since we had Theo. It’s not easy hearing your 2-year old son on the phone: Mummy you promised, when are you coming home?’

And how do you feel about Romania, these days?

Hard to say. I love my country and it’s not so grey anymore, people in airports are happier, first impressions are better. But Romanians are beeping their cars all the time, nervous and stressed and for what? Coming home from Africa, that’s very bizarre.

2. VIOLETA COJOCARU

Violeta Cojocaru sips her mineral water and smiles, shaking her head and staring into her glass as if puzzled by something. Then she tells me why.

“A local shamen will mix a traditional concoction for a new baby, to honour the spirit world. The mother gives it to the baby to drink. The baby gets diarrhea from the dirty water. Sometimes it will die. That’s what we are up against. That’s why this work matters. That’s why I like my job.”

We are sitting in the outdoor café at UNICEF in Niamey. It’s cool under the large conical roof of thatched grass, but scorching hot in the courtyard beyond, where fat lizards watch us, heads tilted. Violeta is Programme Communication Specialist with UNICEF Niger. She has short brown hair and a serious look. But when I make a comment about the lizards doing press-ups, she laughs hard and loud. You need a sense of humour in Africa, especially in a serious job.

“We target mothers, fathers, grandparents, community leaders, health staff, any sort of caregiver. We try to change specific behaviours and practises, within families and communities.”

What kind of behaviour are you seeking to change?

“In Niger, our main concern is child survival. Our research identified seven essential family practises and eight essential services that need to be provided if a kid is to have a decent chance of a healthy life. For example, birth delivery in a safe and clean environment; exclusive breast-feeding to prevent babies drinking dirty water, hand washing; proper drilling of wells; proper use of rehydration salts; access to vaccinations; use of mosquito nets and so on.”

But how do you transform theory into practise?

“That’s the hard part. It’s not enough for us to have the information, we have to get it to people in a way that resonates with them, so they will engage, become curious, adopt new ideas, change how they live and know why.”

What works best?

“Radio is the most powerful method, it’s popular and well established. Print is only strong in cities and TV has a small audience. But when talking about health issues, anywhere in the world, the most effective communication is interpersonal, either one-to-one or in a group debate. This requires a visual element too, something interactive. If people feel their questions are being addressed, if they can see or hear about other people who changed their own behaviour and benefited, then they are more likely to follow that example. It’s not enough just to say ‘This is what you must do’. So we use drama and sketches and discussions and broadcast the results on the radio.”

But Niger is a massive rural country. Where do you start?

“We have two methods. First, we create a network of local community animators who each have their own area with a specific number of families they are supposed to visit and organise public discussions on specific issues. This is quite hard work for us because we have to monitor them and make sure the work is done properly. The second method is on a larger scale, where we link the community animators to several big international NGOs and work through radio.”

How do you measure your results?

“We use KAP studies to monitor Knowledge, Attitudes and Practise. We have a big evaluation going on right now, to assess our reach. Next month we’ll find out who listens, what they like, how much they learned.”

The friendly waiter clears our table and the lizards dash for cover. Violeta sighs and sits back, perhaps wondering what the assessment will reveal.

It sounds like important work. How did you get into it?

“I was a print journalist in Chisinau with Basapres, the first independent news agency in Moldova. Then I was a stringer for Deutsch Welle, social affairs. When UNICEF opened in Moldova in 1995 I covered their activities. The more I learned, the more interested I became. Plus, after eleven years covering the same beat in a small country like Moldova, I needed a change. I got a job in communications at UNICEF then began to specialise in Behaviour Change. In 2003 I attended a 3-week summer school hosted by New York University and the World Health Organisation. It was a real eye-opener, I learned so much, notably from Everold Hossein, a communications guru with the WHO.”

Do you enjoy living in Niger?

“Yes! The people are friendly, Niamey is a very calm city, I don’t feel any aggression. It’s not crowded or polluted. Plus there are animal reservations, local markets and very rich traditions. It’s interesting. It’s a bit hot in summer and I miss my husband and daughter, but she’s grown up now and we’ll all meet soon.”

How do you relax?

“I play tennis twice a week and I recently discovered a gardening class. I was having driving lessons too, but my instructor crashed the car!”

And you have a kitten for company?

“Yes, Tigrusa. She runs up my door and stares inside the house.”

Perhaps she’s wondering what brought you to Africa?

Violeta laughs aloud as she poses for a photograph. Then we say goodbye and she strides back to her office. She knows the answer.

3. CEZARINA TRONE


Cezarina Trone brings a salad and cold drinks onto the quiet terrace. She has a deep tan and wears loose linen with her long brown hair swept back. She has the graceful moves and tight skin of a yoga practitioner. A local gardener sprays lush green foliage nearby, the arcs of water glint silver in the late afternoon sun.  Sitting on this idyllic, shaded spot, overlooking a swimming pool while exotic birds chirp in the trees, it’s hard to believe we are in one of the poorest places on earth.

The Republic of Niger is a huge country, almost 500,000 square miles, dominated by the Sahara desert and scrubland. It has a population of over 14 million.  It also has a lot of goats grazing any patch of green.

In the north, a low-level military insurgency simmers among ethnic Tuareg rebels, who want a greater share of political and economic power. Some observers say the place could slide into serious trouble. But for now, it feels safe enough. It’s also home for many ex-pats, including my host Cezarina, a Romanian based in the US, who is currently working in Africa as a teacher.

Cezarina seems happy with life in Niger but knows it’s not so easy for others. We’ll come back to that later. For now, I’m curious to find out what brought her here. Her eyes sparkle as she chats, her infectious laughter echoes around the garden walls.

“I moved from Romania to the USA in 1996, aged 20, to marry an American. My Romanian teaching degree was not valid there so I studied at Southern Illinois University and qualified to teach in elementary schools.  Later I got divorced and moved to Ohio, where I began teaching. One day, still trying to find myself, I asked God or the Universe to help me. A minute later, by telephone, I was offered a job teaching in Africa. It was totally unreal, like divine intervention, but just what I needed. So I came. It’s been a challenge, but fun!”

You say you have a creative, artistic approach to your teaching at the American International School of Niamey. What do you mean?

“I teach young children and to me that’s a big responsibility, because they’re tomorrow’s adults, right? So, I feel we should empower them as much as possible. When I first arrived, their lessons followed the classic US model, which is OK. But after I noticed they responded very well to creative activities after school, I began to weave those elements into the normal teaching day, using ideas I had developed as a teacher in the US. The response has been amazing.”

What do you add, specifically?

“Creative dance, finger painting and yoga, things like that. I consider yoga both an art and a science. It’s been proven to be very effective with kids. I integrate the physical exercises with poems, songs, dances and poses… whatever works.”

Since AISN charges fees of $10,000 per child per year, parents presumably expect progress. As a teacher, how do you measure success?

“I truly can see and witness the changes in the children as they get a chance to express themselves. It builds their self-confidence, deepens personal relations within the class and at home too. Kids come to me saying: I sang the yoga ‘getting-up’ song this morning to wake my parents and they got up and did yoga with me! And I’m sitting there smiling because it’s just really beautiful to hear that. Little by little we added more elements, such as a website where the kids and their folks can contribute and see photos of our activities. It’s great!”

Judging by the comments of two pupils, Cezarina’s approach is popular.

Vanessa from 1st Grade says:  “It’s fun to come to our school because you can learn new things and fun stuff like math, spelling, yoga, arts and crafts, painting, dancing, reading, show and tell, listening to stories, having visitors come over, making new friends, singing, going to the library, gardening!”

Little Khadriana from Kindergarten adds:  “I love school because I learn how to read and write.  I like our reading cave where Ms. Trone reads books to us.  I like when we have Native Amercan names; mine is Dancing Star.  I like singing and yoga.”

And the grown ups? ASIN Director Ms. Debba Robinsnon clearly approves:

“Cezarina brings an energy and enthusiasm to every activity. With her thoughtful motivational quotes, web sites and a spirit of love and acceptance, she touches all our lives and brightens up the corridors of the school.”

We finish our salad and it’s time to say goodbye. On the dusty street outside her home Cezarina mentions her plans to teach yoga at a local Muslim school in 2009. But she seems troubled for a moment when she spots a couple of local kids playing in the dirt nearby: “I’d like to do something for these little ones too. That’s my dream. The kids at ASIN are privileged and have everything. But poor kids need empowering too. Tomorrow’s adults, right?”

4. LILIA GHEORGHIU


Lilia Gheorghiu looks tres mignon, as usual, with a reserved manner and a big, friendly smile. Her husband Ben towers beside her. He’s quick-witted with bright blue eyes like Paul Newman. They’ve been on the road since 1998, living and working in Armenia, Hungary, Slovakia, Kosovo, Rwanda and now the USA. We last met in Kigali, June 2005. Tonight we’re in a Thai restaurant in Washington and I’ve forgotten my tape recorder. How professional.

Lilia is from Moldova, an accountant with a PhD in maths. She’s got a new job here in DC, as ‘Grants Finance Compliance Officer, International Programs’. She’s with an American NGO: Campaign for Tobacco-Free Kids.

Cool name, but what does your NGO do?

“We have a number of departments in the US and overseas. We mostly lobby for changes in legislation on tobacco control: more taxation, smoke free zones, banning ads and so on. Overseas we issue financial grants to other NGOs who share our goals. We discuss the best ways they can tackle similar problems in their own countries. For example, how to get the laws changed on taxation.”

What is the link between taxation, tobacco and kids?

“Research shows that the more tobacco costs, the less accessible it is to kids and the less they are exposed to it. Also, more people begin smoking as kids than they do as adults. We don’t tell people to quit smoking, we make it difficult for kids to start smoking by reducing their exposure to it.”

Who started the NGO and who funds it?

“The campaign was started twelve years ago by people who were passionate about tobacco control. They lobbied for donations and it grew, becoming part of a larger body. Bill Gates contributed and Michael Bloomberg, the New York billionaire, gave over $125m. He has specific aims and that’s why we don’t campaign for smoking cessation, it’s too costly and hard to evaluate. Instead we focus on four or five priority issues in priority countries, where smoking is a problem and kids are vulnerable due to a lack of legislation.”

How do you measure success?

“It’s easy. By checking whether or not a country has changed the laws on taxation, advertising, sales of tobacco, tobacco lobbying etc. For example, India recently went ‘smoke-free’.”

But why would a government listen to your NGO?

“Because higher tax generates more money for them; smoke-free zones prevent illness, which boosts productivity and reduces the financial burden on health services; a visible commitment to the health of children wins votes at election time and helps politicians get re-elected.”

You’ve lived and worked in Rwanda. How do you find it?

“Good and bad. From a professional point of view, I was successful because most of my colleagues lacked higher education or good accountancy practise. On a personal level, I found it a shock to live among black people, but I adapted and enjoyed the attention. It can be drawback when you wish to blend in, but that’s how a black person would probably feel in an all-white place?”

You spent time in Nigeria too, how do they compare?

“Nigeria is huge, you meet a lot of educated, well-informed people. I felt like a small fish in a big pond. Nigerians say whatever they want and it feels like a real democracy. But Rwanda doesn’t and unless it becomes more open and democratic, I feel there could be another genocide.”

What might a Westerner learn from living in Africa?

“At the local, practical level, Africans have a remarkable ability to improvise and make the most of what they have, they are not wasteful. On a spiritual level we can learn from people who have survived massacres but talk about it in a very calm and dignified way, without tears or anger. How would we react, in their shoes? We should also learn from how some Africans react to foreign aid: they feel it’s their right. We are building too much aid dependency.  I don’t know how to change it but I’m not comfortable with it.”

Is Moldova changing?

“Yes! People used to have a Cold War mentality. I used argue with them. Now we have the same old discussions but they agree with me! They see I was right about the rise of China!”

Will people in Eastern Europe ever reduce their tobacco habit?

“For sure, our campaign is very effective. Turkey went smoke-free last year. It just requires a government to see the advantages and change the laws. Russia might take longer, though.”

Do you ever feel envy towards you, among people back home?

“Yes. Some people think I married an American then I got good jobs. But my career was already on track when I met Ben, because I had always worked hard.  Sure, he broadened my horizons, but I got those jobs because of who I am, not because of who he is.”

How do you relax?

“I like balancing our accounts, I like knitting and I dream of a nice home with a big garden.”

If extra-terrestrials exist, will we use maths to communicate with them?

“I don’t know, I never thought of that!”

(First published in ELLE magazine, February 2009, by S.C. Edipresse A.S. SRL, Romania. Photos by Mike Ormsby & Jerome Le Roy)

*******

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Damian Kelleher reviews ‘Democracy’

Posted by mikeormsby on April 20, 2012

In 2011, New Europe Writers published their anthology Bucharest Tales‘, which contains three of my stories, as follows.

‘Mother Tongue’ and ‘The Promised Land’ were commissioned for the anthology, while ‘Democracy’ was republished from an earlier collection of my short stories, ‘Never Mind the Balkans, Here’s Romania’ [Editura Compania, 2008].

Below, you can read a review of ‘Democracy’, from the Australian literary critic Damian Kelleher (posted his on his own blog, 22 Feb 2012).



Damian writes..

Democracy, when it comes, does not always carry with it the bells, whistles and positives that popular culture has come to associate with the political concept. Benjamin Franklin is often misquoted as the originator of the saying, “Democracy is two wolves and a lamb voting on what to have for lunch.” Irrespective of who coined the phrase the truth of it rings out – the tyranny of the majority against the minority is an inherent problem of the system.
Mike Ormsby’s Democracy tells of a grubby residential block meeting where the residents discuss, and vote upon, such matters as salary increases, pipe blockages, the problem of the Chinese, and so forth.  There is a President and a Vice President, and faceless, eternally re-elected Committee members, and then the regular people, ordinary residents, who put forth suggestions and ideas for improvements that are, almost overwhelmingly, ignored.

Democracy is written in the present tense, set in Bucharest, and written with the sharp understanding that the promises of the first world do not easily translate into tangible benefits for the vast majority. Pre-democracy, the residential tenants paid too much in salary to the figureheads and not enough to the workers or to maintenance; post-democracy the same is true. Choice doesn’t matter much when what you are choosing between is a blue tie and a red tie.

Take the following, which comes immediately after the President announces a pay rise for himself and the other top-level administrators. Lumi, just a resident, suggests the cleaner should receive a minor salary increase as well:

‘Not Tina!’ [Vlaicu the Administrator] snaps, perched on the edge of his seat.  His voice booms down the corridor.  Tina glances up from the yard, as if she heard it.  Vlaicu’s chest is heaving.

‘By the time she pays tax, it won’t be worth her while!’ he adds.  A brief silence follows, while the residents mull it over.  But then someone asks:

‘So, why did you get a rise?’

Silence descends once more.

Vlaicu glares around the residents like he could put thumbscrews on us all.  But the Resident seems to sense the wind of political change and waves a hand, saying:

‘Give Tina 20 percent, who cares.’

And on goes the meeting. The President and Vice-President and so on are, of course, petty officials in a miserably small system (the residential block). And, like most such men and women, they have become inflated with their own worth, and are more than willing to loot the (small) kitty. Ormsby’s skill is to highlight the flaws of democracy and strong-arming techniques with admirable economy – the story itself stretches to just three pages.
Take the following, which highlights the problems that may occur when a minority fails to have a voice during the decision-making process:

…someone asks why the rubbish chute gets blocked every week.

‘Because of that Dumitrescu on the third floor,’ grunts Vlaicu, tapping the VP’s notepad, as if he wants it written down. Nobody objects and Mr. Dumitrescu isn’t here to protest.  The VP scribbles the verdict, pen clutched in his podgy fist.

Mr. Dumitrescu (or substitute: African Americans or Australian Aboriginals or French Muslims, etc.) isn’t there and can’t vote against the resolution or appeal on his own behalf, and thus he will be punished. Democracy has been successful – everyone agreed – but a minority has suffered.

Ormsby’s story highlights the inherent problems of democracy, and particularly when that democracy is newly founded.  The residents, drunk with their sudden (miserable) power, use it not to improve their lives, but to punish others and impose their will upon the weak.  Good, cheap ideas are put forth and rejected while salary padding and cronyism are rewarded.  The sop provided to Tina comes about purely thanks to shame – one of the few weapons the weak and dispossessed have at hand (and even then, in today’s gated compounds and exclusive suburbs, this weapon is losing its effectiveness).
Satire remains one of the primary tools with which to puncture the inflated cant, hypocrisy and hyperbole of the reigning cultural idioms and political ideologies.  Ormsby’s story is sufficiently short and focused that almost all of its effect comes from the sharpness of the satire, and not the expected trappings of narrative fiction.  The characters possess a mean sameness to them, and the dialogue exists primarily to eviscerate the idea that democracy is the answer to all problems.  That said, Ormsby’s style is clever and entertaining, and managers to condense a good deal of political criticism into a very small word count.

Democracy by Mike Ormsby is a short story from Bucharest Tales from the New Europe Writers series

www.damiankelleher.com/drupal/story/new-review-mike-ormsby-democracy-bucharest-tales

www.damiankelleher.com

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please mister postman

Posted by mikeormsby on April 14, 2012

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If a cat could use a mouse…

Posted by mikeormsby on April 14, 2012

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Viking on the run

Posted by mikeormsby on April 14, 2012

VENI, VIDI, PERDITUS

The email is short and smug: Do you want to run the London marathon next year? It comes from a friend who has just finished this year’s race in 4 hours 38 minutes. He raised £5000 for the Red Cross, including a small donation from me. I think about his proposal and then I write back: I’ll think about it.

I hesitate because I ran the London marathon in 2001 and, despite the hype, I found the route disappointing: – dismal suburbs for fifteen miles and no historic sights until the last four miles, by which time I was too knackered to enjoy them. But the real reason is that my last marathon, in 2007, which was my 5th, did not go to plan. It went haywire, frankly, and I’m not sure I’ll do another.  Want to know why? Got your shoes on? Good, let’s go. Back in time.

One cold January day, I’m jogging through thick fog around Faurei, rural Romania, when I meet a shepherd in a big woolly coat who asks if me I have seen any sheep in the fields. Sheep? I can hardly see my feet. I tell him no, sorry.

The well-wrapped shepherd chews his grass, gives me the once over and says: Are you a crazy jogger from the West, training for a marathon?

I shake my head as I run on, but now I’m thinking: Maybe I am, and it’s time for another one, number 6? I glance back at the shepherd, who has disappeared into the mist. Was he sent to prophesy? Or am I going mad, out here…?

Next time I’m online, I check my options and choose the Anglesey marathon, nine months off, in late late-September. Let me tell you about Anglesey, because I know it well from summer holidays as a kid.

Its an island off North Wales with stunning views of mountains, a remote and desolate place. The Romans conquered it, in 78 AD, but the hard-ass Vikings failed, in 900 AD. Local Welsh warriors chased them while Druid priests chanted in victory. This is highly relevant, I feel, because my family has Viking roots, so maybe I should go back and avenge my scaredy-cat ancestors? Conquer Anglesey alone? By Odin, it would be about time.

Come spring, back in Bucharest, I increase my weekly mileage and monitor my heart rate, all that technical stuff, doing well. But something unexpected lies ahead: by mid-July, Bucharest is baking at 46C.  Global warming, maybe? Long runs become tricky unless I start them at 5 am. I run a few 20 milers, but not enough.

Late in August I get another surprise: I have to go to India for a month to work, which compromises a crucial period of my training, especially as I fly back from India to Europe only 24 hours before my marathon. I can hear the Druids chuckling down the centuries: Viking, you stupid or what?

Time to focus. After my 9-hour overnight flight from Delhi, I land in the UK at 7 a.m and take a train from London to my mum’s place in Liverpool, planning to eat lots of carbohydrates and other relevant goodies when I get there – pasta plus broccoli, and some pomegranates. But due to circumstances beyond my control, when I arrive in Liverpool. I have to settle for sandwiches and a cup of tea. And another cup of tea, chatting away with my mum, the way you do, the PG Tips flowing like wine. Time is tight and so is my head.

An old school friend has offered to drive me to Anglesey but we depart into a setting sun that dips over over Penny Lane with a fiery glow, beckoning me forward to North Wales, if I dare.

It’s 9pm by the time we reach Anglesey, where the chef of my pre-booked hotel refuses to cook me a hot meal because it’s too late, mate. I tell him I’m running the marathon, mate. Try the pub, he says, taking off his apron. He’s had a long day, poor fellow. I don’t tell him about my long flight and that I am, well, starving,

The pub has a sign outside that says Warm Welcome Guaranteed and a sour-faced landlady inside who says: come again? But I don’t think I will, somehow, because she will not cook me any pasta either. Why?

Perhaps she can tell I am one of those Vikings, here to rape and pillock. Perhaps my fleecy hat has sprouted horns? Should I axe her politely? There seems little point and so, instead, for my pre-marathon carbo-load dinner, in a chilly corner of the pub, I eat a bag of roast peanuts and a bag of crisps. The locals give me the kind of chilly looks I remember as a kid on my summer hols: you’re not from round here, are you? My friend sips coffee, on edge. I drain my juice and we head back to the hotel. I need sleep. It’s time to get to bed.

Problem is, the hotel is overbooked so my caffeinated driver settles in a chair in my room to watch Hits of The 80′s on MTV. I lie in bed a few feet away listening to Nik Kershaw and wishing I was in Spandau, at least it would be quiet. I drift off eventually, but I swear I can hear the Druids laughing at me: welcome back, boyo.

I rise, zombie-like, at 6 am, tired and hungry. En route to the race, I get a weak coffee and two granola bars from a garage, but I know from five previous marathons that this will not be enough. And I’m right.

The Anglesey Marathon 2007 starts under a brooding sky at 10 am with 500 runners, all looking fit and happy, and me, feeling like shit. I shuffle along half asleep. My first 5 miles feel like 10, but somehow, my feet wake up and I reach the halfway point in 2 hours and now entertain giddy delusions of success: I can finish in under 4 hours, my target? Have I discovered a whole new Hindi-based training system – The Red-Eye Rocket?

No! The Welsh hills wind fight back with windy vengeance. Mile 22, I hit the infamous ‘wall’, and it feels like it is made of Welsh slate. My heart rate is sky-high and I sense that if I don’t slow down, I will perish like my barmy Viking ancestors. So, I take it easy and crawl to the finish line on 4 hrs 34 minutes – aching with disappointment, my training wasted. Ironically enough, by some twist of fate, the beautiful young Welsh woman giving out the medals slips not one, but two of them into my quivering paw. She vanishes and I’m too tired to go after her and give it back. Plus, I feel as if I have run 52 miles, not 26. I’ll give it to my nephew in Liverpool. He likes athletics. It might inspire him.

Anyway, enough mistakes, let’s finish on a wise note. Voltaire once said every misfortune brings a privilege, and he’s right, because I’m privileged to be able to run at all. I also know, more than ever, that no matter how well plan our lives, even 9 months ahead, they can unravel in 24 hours or less. That’s a lesson I won’t forget.

What else? Next time I train for a marathon, it will not be during summertime in a boiling city. And next time I take a long haul flight, I will not run a marathon 24 hours later.

If you’re a runner, you know why you run. If you’re not, give it a try – it might change your life.

As for Anglesey, some people probably enjoyed those steep, howling hills, but, if and when this skinny Viking ever goes back, he will take more supplies and ask Mr. Kirk Douglas to drive him.

***

[First published in FHM, July 2010, by S.C Sanoma Hearst Romania SRL].

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Major Problem

Posted by mikeormsby on April 14, 2012


Snowflakes are mesmerizing, tiny cold kisses from heaven. I’m watching them dance across Romania as I talk to my mother by phone. She’s in the UK, boasting about a blizzard, the worst for 18 years:

“It’s a major problem,” she says, “roads blocked, people stranded.”

She sounds pleased that British weather is finally worth talking about. After we say goodbye I stand at my window, watching the wispy whiteness and smiling to myself. Because her words remind me of another major problem, years ago.

In 1997 I was working in Yekaterinburg, central Russia, just east of the Ural Mountains. Founded in 1723 and named after St. Catherine, it’s where the Bolsheviks executed Czar Nicholas II and family in 1917. Under Communism it became an industrial centre – Stalin based his munitions factories there and tested anthrax. In 1960, an American U2 spy plane was shot down over the city. In the mid ‘60s, local boy Boris Yeltsin wooed his lady behind the marble columns of the Technical University and in 1991 was elected first president of the Russian Federation. In short, Yekaterinburg is Russian, heart and soul. However, by 1997 it was also full of gangsters, prostitutes and pissheads. For example…

The Major lived in my bloc. He had a big belly, a loud voice and a passion for vodka. Every morning, he would settle in the yard in his wooden chair and tell tales of Afghanistan. He had a few of those but only one leg: “Left the other one in Kabul, damn it!”

We’ll come back to him later. For now, let’s get to work. It’s 08:15 and I have a 40- minute walk in temperatures of minus 42, through snow-bound streets where stretch limos with black windows splash muddy water on pensioners selling potatoes by the side of the road because we are all democrats now.

I arrive at BBC School where twelve young Russian journalists are eager for training. “Let’s watch a British documentary about Stalin,” I suggest, slipping a video in the machine. They grin from ear to ear. “It’s British,” I add. They look puzzled.

Soon they are all glued to the screen as the documentary explains how Stalin transformed Mother Russia into Mother F****r. He helped stop the Nazis; he built cities; he dug canals; he collectivized the land; he deported 3 million citizens; he starved the kulaks and sent you to the Gulag for 20 years if you stole a loaf.

One of my trainees – a chunky blonde – leaves the room. She seems upset so I follow her into the corridor. She paces about, weeping now. I offer a tissue and comfort.

“Tanya, I know history can be painful, but focus on the journalism, how it balances the story: national progress plus state terror, yes?”

She lights a cigarette and snarls at me: “How dare you show anti-Soviet propaganda! Stalin is our greatest leader. He won the Great Patriotic War! What is your problem?”

My eyes pop as I consider my reply.

“Tanya, think! As journalists, what should we say about the Gulag?”

She sucks her Kent and replies: “Crime deserves punishment!”

“How are old you, Tanya?”

“Nineteen,” she snaps, her pretty blue eyes devoid of doubt. I pass another tissue. “You don’t have to watch it,” I say, walking back to my class.

“Good,” she grunts.

It’s dusk and dark and bitterly cold when I reach home. Snow falls thick and fast in a wild wind. As I approach the bloc, two of the Major’s drinking buddies stumble past in the opposite direction: “Good night, English!”

Then I spot the Major lying in the snow, face down, dead still. I roll him over. He is unconscious, snow on his beard, his breathing quick and shallow, smashed out of his skull. I watch his friends disappearing into the blizzard. There’s no one else around. This is not good.

Because the Major lives with his ancient mother and she rarely leaves their flat. He has no wife, no kids, and perhaps no help. He could easily freeze to death here. It happens all over Russia, every winter. His face is no longer alcoholic red. It’s turning corpse grey.

I shout for his friends. They return and we lift the Major up and prop his crutches under his arms then frogmarch him into the bloc and up three flights of slippery steps. There is no elevator. He weighs half a ton and keeps falling down. It takes us twenty minutes. He wakes up en route, tells me he adores Winston Churchill, then blacks out.

His mother opens the door. Their tiny flat has fruit crates for cupboards. I point to an old bed but she points at the linoleum floor: dump his ass there. Then she makes a puking gesture: she doesn’t want vomit in the bed.

Next morning at 08:15, the Major is back outside as usual, drinking vodka. I smile and say Good Morning. He stares at me with pink eyes as if to say: who the f*** are you?

In December 2008, Russians voted Stalin their third greatest countryman ever, above national literary hero Pushkin. I know two people who would drink to that, no problem.

***

(First published in FHM, April 2009, by S.C. Sanoma Hearst Romania SRL).

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Dad, you were wrong.

Posted by mikeormsby on April 14, 2012


The radio newsroom is quiet but busy, reporters hunch at computers. One of them scribbles in her notebook, cradling a phone. Two guys in jeans huddle in low chat. I walk towards the News Editor who sits checking documents and tapping his teeth with a thumbnail. As usual, Marin wears only black. He rises and shakes my hand, all smiles, long time no see.

His window offers a panorama of the city. We stand for a while watching rush hour traffic. The blue sky turns purple. A big road stretches across Bucharest like the Milky Way, an endless stream of twinkling headlights.

We sit and he serves coffee in plastic cups. On his desk I notice an old china mug with a broken handle, embossed with a colour photo: a group of well-dressed young women, packed together, all smiling. Every picture tells a story.

“Nice girls, who are they?” I ask, sipping my ness. Marin offers a cautious grin and says: “My staff. Some left, some are still here.”  He picks up the mug.

“See this girl? She was a reporter who liked celebrities. She took seven friends to a pop concert and tried to blag them in for free on her Press Card. But the Security guy phoned me. I told him no way. She resigned soon afterwards.”

“See the next one, the blonde? Told me she had a friend at a rival station who was well paid for little work and knew VIPs. So, she demanded a pay rise and glamorous stories. I told her not to be silly: her friend was obviously paid for connections whereas she had none. She resigned too. Went to our rivals.”

Marin pauses to take a call then continues his tale, still holding the mug. “This brunette, with the tan and wild hair? She loved environment stories and dreamed of working for an eco-NGO. So, I asked a friend to chat with her.”

I glance at the TV above us. Breaking News: Killer Snails Attack

“Which friend?” I ask, turning back to Marin.

“Someone who worked for an NGO in the Delta. He told my reporter to be wary. Take her time. Find a good one. Many NGOs are just a way to make money. Naturally, she resigned next day to work for an NGO. Guess where?“

He smiles and makes a funny face.

“Six months later, all three reporters phoned me: Can we come back?”

Marin gets up, patting pockets. He needs a cigarette. We move to a balcony, the air is cold. He lights up and we swap career stories: good times and bad times. He saves his best until last.

“In 1993 I was young and idealistic. I joined an NGO, the best I could find: human rights. I had good colleagues, tough assignments and big doubts.”

“About?”

“We were cramming Somali refugees into accommodation for chickens, feeding them peanuts and charging donors like it was a five star hotel.”

He sees my eyes pop.

“At the same time, we monitored other Romanian companies to prove they were exploiting people, abusing rights. We put those documents in a safe.”

“Until the court case?”

“Until the companies paid up. If not, we published.”

Marin sucks his cigarette. I can’t tell whether he’s proud or disgusted.

“Did you complain?” I ask, folding my arms against the chill.

“First, me and some junior colleagues told the Somalis, tough people who had survived weeks in open boats on the ocean. God knows how they ended up in Romania but when they heard about the donor scam, they went nuts. Then they went on hunger strike. Then we called the press. They gobbled it all up,” laughs Marin, blowing smoke.

“I’ll bet. Then what?”

“Then we got sacked and charged with Bringing The Reputation of Romania into Disrepute. That’s fifteen years in jail. But the case collapsed and the NGO closed down. Don’t get me wrong – some NGOs are good. But some are rascals!”

Back in the office, a shy attractive redhead asks Marin to check her script. He reads quickly, scribbles a few changes and hands it back. She frowns, apologizes and waddles away in her Converse, duck yellow. She looks familiar. I look again at Marin’s mug. She’s there, grinning from ear to ear.

“Well-spotted,” says Marin. “She came down from Moldova for a job interview. I liked her CV, her answers and above all, her honesty. I offered her a position. She was in shock, almost fainted, poor girl.”

“How come?”

“Seems her Dad had told her she would have no chance because she was from the sticks, didn’t know anyone and would have to sleep with the boss.”

“Is that true?” I ask, teasing.

“Not here,” says Marin, flashing his wedding ring. “After the interview, she asked me if she could make a quick call. She dialed and said four words: Dad, you were wrong. Then she put the phone down. She’s one of my best reporters.”

“News? Sport? NGO stories?” I ask, but Marin is watching TV.

“Look at this bullshit,” he says.

***

(First published in FHM, March 2009, by S.C Sanoma Hearst Romania SRL)

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Stoned

Posted by mikeormsby on April 14, 2012

I need air. There’s not enough in this claustrophobic downtown bar. So I leave and sit on the steps outside to watch the purple midnight sky. Jakarta’s tropical heat hits me like a sandbag, but the crickets make a nice change from jaded rock tunes and beery bonhomie.

“Why the long face, birthday boy?” asks my friend Mario, following me out for a smoke.  I shrug and mumble platitudes about how birthdays bring bigger questions. Below, the red and white lights of endless traffic wink like glow-worms, as if to cheer me up. Street kids loiter in ragged T-shirts, hoping for a handout. We oblige with a few coins and they whoop off to buy late night rice from the wheeled kiosks of the kaki-lima men.

“Want something a bit livelier?” Mario offers, stubbing his cigarette, dark eyes shining with Latin mischief.

“Like where?” I ask.

“Trust me,” he says, turning up his stylish Italian collar, even though it’s not cold. And I do, just about. He’s an engaging mix of very intelligent, accomplished and falling apart. He’s been on the cover of Forbes mag: a canny young venture capitalist, who moved to Asia after the Thai baht collapsed. He mopped up, got rich. Now his marriage is on the rocks and he spends most days staring at his art collection, wondering why. But he sure can party.

We head for Kota – the old town – and a huge old nightclub called Stadium. Dark and a little dangerous – you want it, they got it. Four floors high: opera-house-meets-Victorian- brothel. It opens Friday afternoon and the techno beats don’t stop until Monday at 8am. It boasts the best sound system in SE Asia – bass bins the size of a bus. A transparent dragon hangs from the ceiling and appears to be breathing fire. This is no place to consider your past or future. You’re too busy trying to make sense of the flashing present, having fun. Most people are on something. They dance in a daze, eyes like fish. Out of it. Wacked. Stoned.

I arrive home around 4 am and stumble to bed, still smiling. That Mario is something else. But soon I’m woken by strange noises: shouting, screaming and splashing through water. From my window on the twelfth floor, I track the source though the gloom below.

On the far bank of the canal around my tower block, a crowd is gathering: men, women and children in vests, baggy shorts and flip-flops. They’re from the kampung beyond, a crowded community of low shacks and considerable poverty. They seem angry, shouting and hurling rocks across the water. Some make little pyramids of ammunition. To chase a rabid dog, a mythical urban crocodile, a python? Whatever their target, it has taken refuge in a culvert, out of my sight. After ten minutes I give up and return to bed. I must rise soon for a working weekend. They’re still screaming as I fall asleep. I’m older but none the wiser.

At 08:30, I’m downstairs in the elegant marble lobby, heading out for the office. Two policemen are quizzing the receptionist, who gives me a curt nod instead of his customary grin and wave. He stands to attention in his crisp, spotless uniform. One of the cops is taking notes.

Outside, the air is scorching. Lizards are doing press-ups in the neatly clipped grass. As usual, the stink of sewage and garbage from the canal wafts towards me. But also noise. Because there is still a crowd of people from last night, and more cops too trying to keep order. How come?

They’re looking at something on the embankment. Guys in business suits stop to take a peep. School kids dump their backpacks and burrow through to find out. I wander over, wondering at the fuss. I stand on the edge of the crowd, waiting for a gap in the tight mob of shoving, muttering Indonesians. Soon enough, I see for myself.

He’s about twenty-five. He’s lying on his back, staring at the sky, dead. His clothes are wet and filthy, covered in a stinking muddy slime. His skin is wax grey. There is a deep gash on his head, dark with blood. His black hair is matted to his skull. His faded T-shirt is shredded. His hands and arms are covered in cuts and bruises, as if from protecting himself.

“What happened?” I ask. One of the cops explains. The guy had tried to steal a bicycle from the the kampung, the neighbourhood, but got caught red-handed. He escaped, jumped into the canal but didn’t realise it was a dead end. The cop gives me a bored look: now do you get it, sir?

Eventually, I get it: the angry yells, the splashing, the mob hurling rocks. While I was trying to sleep, the guy at my feet was fighting for his life. He lost.

“Stoned?” I ask the cop, incredulous, “For stealing a bike?”

“Ya, so they say,” he replies, pushing the crowd back. Most of them look concerned or just curious. But some are grinning, apparently satisfied. No more birthdays, sucker.

***

(First published in FHM , Oct 2008, by S.C Sanoma Hearst Romania SRL. Photo by Ascanio Martinotti)

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This Place Will Explode

Posted by mikeormsby on April 14, 2012


September, 2008, Bucharest. I’m checking email when I see a newsflash in the corner of my laptop screen: 5 bombs in Delhi. 20 dead, 90 injured. Quickly I click the link, fearful for my friends in India’s capital. Bloody images swim before me and I read the details, gawp at photos of carnage amid plumes of smoke. As it clears, I’m drifting back in time, trying to remember something that an Indian colleague told me when I was in New Delhi, five months ago. Some sort of warning. Is there a connection, to what just happened?

It’s April 2008, Delhi. I’m in India for two months, advising academics and training journalists. I’m sitting in a cab with Raj, a colleague from a local TV station. He’s tall and wiry with pressed shirts and shiny shoes. He’s helpful and witty, speaks fast, caffeine coursing through his veins, 24/7.

The scorched streets are jammed with traffic, horns blasting. Skinny guys pedal rickshaws through impossible gaps. Hawkers sell glossy magazines, phone chargers and plastic toys. Beggars swamp our car in threadbare clothes and worn out flip-flops. Some are old and blind led by kids with messy hair. Some are middle-aged amputees. But most are young and quick, eager to charm us. It’s bedlam out there, a daily fight for survival. So much for the Indian economic miracle. Raj catches my eye and shrugs.

“When you see this every day, you become hardened. Soon, you don’t see them anymore. Or, you see them as subhuman.”

The sweet smell of sandalwood incense hangs in the humid air. Florists spread dazzling bouquets on their stalls. A beautiful young cow ambles past, glassy eyed and chewing. For all the mayhem, India is weaving some ancient spell on me. And subhuman doesn’t sound good.

I’m wondering how to reply but Raj changes tack. Now he’s talking context, bigger picture and complaining about capitalism:

“It fractured our middle class. The top half jumped to the upper class. But the lower half is sliding into the slums. And we’re part of the problem, you and me. We feed this inequality.”

He may be right. But the more he squirms in our hot car, the less he convinces me. It’s a familiar campus mantra: Left is good, right is bad. I offer the only solution I can think of:

“Stop beating yourself up, Raj. We’re not shoving toxic dust down the throats of migrant child workers. We’re training journalists. That’s our professional contribution and media calls politicians to account. But if you want to get personal, just give these guys some change.”

I poke a few tatty banknotes through the window. Fingers snatch them, gone in a flash. Mucky kids press for more, their dark gaze drilling me: Where’s mine, firang?

Raj seems vaguely amused, perhaps by my naivete? Then he tells me that he and his flatmate employ a maid. She came to Delhi from a dusty village, seeking a better life. She scrubs their clothes, cooks their food and cleans up.

We pay her 400 Rupees per month,” he adds.

Conversion: €6. If that’s a better life, her village must be hell on earth.

“It’s peanuts,” admits Raj, “But if we pay more, people in our block will say we’re lunatics.”

“So what?” I ask. “A little extra would mean a lot. Can’t you give her a rise?”

“I could,” Raj admits, “But… my flatmate gives her old clothes and stuff. Payment in kind.”

“And what do you do?” I ask.

“I watch,” says Raj, looking out at the bustling street. He asks the driver to boost the AC and shakes his head: “Such traffic, every day.”

The memories fade and I’m back in Bucharest, scanning the Internet, focusing again.

The Delhi bombs were downtown in Connaught Place, a busy spot. And as shrapnel does not discriminate, it seems the victims ranged from underclass urchins to upper class shoppers. I remember Raj saying he couldn’t afford to buy stuff there. So he’s probably safe.

But the stats make grim reading: more than 400 people have been killed in a series of bombings across India since October 2005. Some people blame Hindu extremists, some blame a Bangladesh-based militant group, Harkat-u-Jihad-al-Ismlami. But this time, a group named Indian Mujahideen emailed local news media before the blasts, apparently to claim responsibility. Stop us if you can.

Less than a month ago, Indian Prime Minister Manmohan Singh said terrorism, extremism, communalism and fundamentalism would be the major threats to India’s unity. I can’t help thinking that whichever ‘–ism’ was responsible this time, someone has underlined his point.

Chetan Bhagat, a popular author in India, reckons the country is controlled by greedy septuagenarian megalomaniacs who forget the average Indian is 25 and has different needs.

I finish browsing, dazed. Near my laptop sits a small statue of Ganesh the Hindu deity, the boy with an elephant’s head. A goodbye gift from a friend who said: “He will protect you.”

Finally, I remember. Something else Raj told me after a long silence in our slow taxi, in a city of 14 million people, in a country where some 260 million live below the poverty line:

“One day, this place will explode. Real violence. I’m surprised it hasn’t already.”

I turn Ganesh in my hands, wondering if Raj is right. And hoping he is wrong.

***

(First published in FHM, November 2008, three weeks before the Mumbai attacks, by S.C Sanoma Hearst Romania SRL, Photo by Salman Usmani).

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Someone Else

Posted by mikeormsby on April 14, 2012


The young Romanian barmen are quick and polite. They’re also sharp-witted and funny and they know their football. Every week, we trade jokes and hope for goals. I enjoy coming to this Bucharest bar, a short walk from my home, to watch Premier League.

But then Andy turns up. He’s Scottish, 45, with beard and beer belly. He works in construction and arrived in Romania a few months ago. He can’t decide whether to stay. He loves to talk but tells me the same thing, every time.

“There is so much potential here, but I’m fed up with rip offs! Should I set up a business, or leave? I just can’t decide.”

Andy scratches his beard and lights a cigarette and tells me a long story about a company that owes him €10,000. I’ve heard it before and I wish he’d change the subject. So I ask him if he thinks that England will win the World Cup. He orders his third draught beer and stares into the foaming head.

“Drives me mad, this place: scams at the airport, scams at the exchange house, and scams on contracts. Jesus, I’m trying to help, I want to create jobs!”

I feel sorry for the guy but I’m trying to watch the match. At the end, when I pay my bar bill, I notice that Andy doesn‘t pay his, even though he’s had several draught beers. He winks and tells me has a tab running, and they trust him. “By the way, did I tell you about the taxi scam?” Yes Andy. Goodnight Andy.

A few days later I return to the bar to watch a big European game. There’s a terrible storm over Bucharest. The TV picture is jammed. The barmen apologize. I tell them it’s not their fault, that’s life. Andy waddles in and spots me at the bar. I try to look pleased. He orders draught beer and groans.

“Did you watch that Romanian match the other night? Saw it in my hotel in Bacau. What a fix! Someone bribed the ref. This country is a such a scam.”

“Not like our British Parliament, eh?” I reply, and we try to laugh as the screen freezes again. Later on, Andy beckons the bar manager. They’re big buddies. I can tell from the guy’s grin and his eagerness to serve.

“How much is my tab?” asks Andy.

“About 60 or 70 lei?” says the manager, with a shrug.

“Call it 50,” says Andy and passes a folded fifty over the bar.

The bar manager puts the cash straight in his pocket. Something does not add up, and it’s not just the maths. Andy seems to read my thoughts and gives me a wink. “If they bring me a proper bill it goes through the system. This way, it doesn’t. Cheap beer for me, big tip for him! Win-win!”

“So that’s why you drink only draught, not bottles?” I ask.

“Correct, have you seen how these guys pull a pint? They have no idea, lots of waste. He writes mine off as spillage. Same with shots, who’s counting?” Andy smiles. Life is good. “First time I did it, I forgot my wallet. It was an accident.”

“A convenient one,” I suggest. Andy grins and moments pass. Then he whispers to me like a naughty uncle admitting sins. “That’s how it works, everywhere you go. But, hey, I did not invent the system!”

Two minutes ago it was an accident. Now it’s a system

“Besides, that poor that barman only earns €200 a month,” says Andy.

“So give him a nice tip on top of your bill,” I suggest. But Andy looks at me as if I’m nuts. He lights a cigarette, sucking deep and blowing a smoke ring.

“I’m just trying to do the guy a favour. Did I tell you about my contract? I can’t decide whether I should stay or leave. Someone ripped me off, €10,000. ”

“I know, you told me three times.”

“The problem is corruption, scams, it’s a game. But who makes the rules?”

It’s a good question. Someone should ask it in the British Parliament.

“I think you should stay, Andy.”

“Really?”

“Yes, because I’m sure you’ll figure out the rules one day. Win-win?”

Andy looks half happy and half puzzled. But I’m more concerned about the TV picture, which has popped yet again because of the storm lashing down outside. Rain hisses past the window like huge silver curtains, opening and closing. Andy summons a junior barman and barks at him.

“What the fuck, you call this a bar? You charge me the earth for a damn beer and I can’t even watch my fucking team? I want a refund!”

I tell Andy to leave the kid alone, but he won’t. Perhaps he’s taking the mickey, it’s hard to tell. But the junior barman looks like he’s seen a ghost. He presses buttons on the remote and pokes the satellite receiver.

“Sorry Domnul, it’s the storm, it’s the service provider, it’s not my fault…”

Andy groans and rolls his eyes. “No, of course not. It’s someone else.”

***

(First published in FHM, September 2009, by S.C Sanoma Hearst Romania SRL)

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Paradise Lost

Posted by mikeormsby on April 14, 2012

I was nine years old when I realised how smart I was. I was ten when I discovered I was a fool. Perhaps you know the feeling. Let’s start with smart.

My new football boots were something special: Gola with white polyurethane soles and ‘screw-in’ studs, not black moulded rubber like my previous pair, now too small. I added tartan inner soles for a snug fit and also devised a simple way to prove the boots were mine – a premonition perhaps? But more of that later.

School closed for summer and I played in my precious boots every day for six weeks in the local park. In Liverpool, where I grew up, ‘footy’ is not a sport, it’s a religion: you play morning, noon and night. Win or lose, you don’t go home until it’s dark and your kit is black with muck. Paradise! Unless you lose your boots. Even today, I’m not sure how it happened, but this is how it happened.

One afternoon after a hard game, I was sitting with my mates. We unlaced our boots and tossed them aside while we inspected our blisters and watched the pink sky turn purple over the city. Near me sat my best friend Simon – our winger who ran like a cheetah; his brother Martin – midfield dynamo in a Brazil shirt, and Steve Sweeney – our brave skinny goalie who was always getting hurt. Altogether there were about twenty kids, including a blond stranger who had made my life hell that day. I played central defence and not many people got past me, but this newcomer had, more than once. I could only hope he would attend our school in the new term and play for our team, but alas, my enquiries revealed he was a not a Catholic like most of us, which meant he would go to a different one. Oh well.

At home time, I stood up and was stunned to discover that my boots had vanished. “Maybe someone pinched them,” said Simon, as darkness descended.

Definitely, maybe. I spent the rest of the summer playing in a pair of worn out tennis pumps, slipping on my ass in the grass. I pleaded with my parents for new boots but money was tight – my dad rode a bicycle to work night shifts in a factory. Lost your boots, son? You’ll lose your head, if you don’t screw it tight.

Summer ended and classes resumed. I was captain of the school team and scrutinized our autumn fixtures: one game per week against other schools in north Liverpool. I wondered which school that new striker would attend, and how I was supposed to stop him without boots? My parents made me sweat until the last minute but when I led my colleagues out for our first game, I had new ones: cheap with black rubber soles. My fault for not being vigilant, right?

The weeks passed. Some games we won, some we lost. Simon scored a sweet volley. Martin scored an own goal. Steve broke his thumb. We were kids for whom every game was a cup final. I soon forgot about that clever striker until the day I spotted him warming up for our local rivals, a big Protestant school. His hair was longer and he did not return my greeting. By half time he had netted two goals, a hero to his colleagues. Like I said, I was central defence so you can blame me, but here’s my alibi: his unusual boots with their floppy tongues and classy white soles distracted me. Gola Europa? Definitely maybe.

We lost 0-4 and Blondie scored three. I changed quickly and was waiting for him in the school car park when he emerged with his grinning teammates.

“Well done,” I said, blocking his exit, “And nice boots.”

He played dumb. “Thanks, now can I leave?”

“After I see them,” I said, with my hand out. He gave me a dirty look, told me to get lost and tried to push past. I grabbed his bag and we scuffled, surrounded by our peers, all happy to see a scrap. A teacher yelled and pulled us apart, demanding an explanation. Blondie pointed at me.

“He took my boots, because I scored three!”

“Is this true?” said the teacher, steaming. I told him about my missing boots and reached into Blondie’s bag. The boots inside it had tartan inner soles.

“Just like mine,” I said. The teacher stared at me as if I was mad.

“Doesn’t prove they’re your boots!” howled the blond kid. So I lifted the inner soles to reveal a slip of sticky tape, stuck to each boot, with my name on it.

“But this does,” I said and watched his face fall. Simon, Martin and Steve patted me on the back as my indignant young rival vanished from the car park.

Smart eh? I found my boots and the ace striker lost his reputation as a cool dude. That’s all from the sports desk. Next month, I’ll tell you about the time I discovered I was a fool.

***

(First published in FHM, October 2009, by S.C Sanoma Hearst Romania SRL)

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A Real Cowboy

Posted by mikeormsby on April 14, 2012


According to Wiki, the word cowboy derives from the Spanish word vaquero, which comes from the Latin vacca, and vaca, as you may know, means ‘My sister is a right bitch’, in Romanian. It’s a small world.

However, when I was 8, it was a big world, cowboys lived on the other side of it and I wanted to be one. Didn’t you?

In those days, a cowboy was a cool guy on a white horse, or a baddie on a black one. Today, in English, cowboy also means someone who cannot be trusted, the smecher* who promises but doesn’t deliver: a real cowboy. More of him later.

For now, I want you to imagine you are a little boy, aged 8. When you are not sitting in school, you are out with your mates, playing football or galloping on an imaginary horse, chasing invisible Apaches (Note: Computers do not exist yet).

One day, your life changes. A new boy arrives at school. He has no friends, because he is pompous, wears old-fashioned clothes, blows his nose into a cotton handkerchief with ‘PF’ embroidered in the corner, and has curly, carrot-colored hair. Sometimes, he even wears a tartan bow tie. I mean, let’s face it, Peter Fogerty is weird. Ah, yes, but, oddly enough, despite all that, you rather like him.

The reason being, Foghorn is very intelligent (that’s his nickname but you call him Peter); He plays violin instead of footy, chess instead of cowboys; he knows things you don’t and he doesn’t care what people think. You discover that sitting listening to Peter in a quiet corner of the playground makes a pleasant change from ripping your knees on concrete. He has lived in America; he has lived in France and other amazing places in the big fat Atlas that nobody looks in except him, and you. Soon, he’s your special friend and you don’t care what anyone says about him.

“Do you like cowboy films, Peter?” you ask. Peter looks sad. “We don’t have a TV,” he replies. “Mummy prefers books.” A heavy silence falls. However, Peter has something even better than a TV, and when he tells you, you cannot believe your ears. “Why don’t you come and ride my horses, sometime?” he says. “Horses, Peter?” you ask, staring at him. “Yes, my friend,” says Peter, we have four, on our farm. Come if you like.”

That night, you lie in bed, sleepless. Perhaps this is a reward from God. Have you done anything good lately? No but never mind. Perhaps God is glad that you have befriended the outcast, the creep. With four horses. Thank you, Baby Jesus. When at last you drift and dream, you’re a real cowboy and you hear Peter’s posh voice, calling to you across the prairie: “Soon, my friend.”

Eventually, you nail him down to next weekend, and, because you cannot keep a secret, you ask if you can bring Carl and Kenny Caxton too, because they have fine cowboy hats and gun-belts and such details count. Peter agrees, of course.

Soon, it’s Saturday. The walk to his farm takes longer than expected, way beyond your grim housing estate and the boundaries of parental approval, but worth every step, lads.

“You sure he’s got horses?” The Brothers Caxton have lots of freckles and lots of doubts, which are cruelly confirmed when Peter leads you up the garden path of a rambling cottage in the middle of nowhere and says: “Not here, in that big field over the way! Ask the farmer! Bye, then!” He scrapes his boots on the old doorstep and vanishes inside for tea. Kenny Caxton picks his nose and says: “Thought so.” Carl Caxton, who is older, pulls out his little green penknife and threatens to scalp you.

Since you don’t possess a pipe of peace, you offer bubble gum, which cost you half your pocket money but buys you time. You walk to the stone wall across the road and look into the big field. There are no horses just a smell of pigs, but from what you’ve seen on TV, cowboys don’t lasso pigs. If they did, they’d be pigboys.

“We’ll ask that farmer”, you say, climbing over and walking through the field.

The farmer has a thick black beard, a greasy waistcoat and no horses. “Now get off my land or I’ll fetch my gun,” he says. So, naturally, you run for your life.

It takes you two hours to walk home, at the end of which, your two friends promise never to speak to you for the rest of their lives, which seems reasonable. However, they do speak to the rest of the class, first thing Monday morning, and before long, your new name is not Tex or Doc Holliday or Billy the Kid, but Pinocchio.

The next time you see Peter, you call him Foghorn, among other things. You don’t know it then, but Foghorn is your first real cowboy. He walks away quickly, patting his hair, and replies in his posh voice: “I said we used to have horses.”

***

(First published in FHM, November 2009, by S.C, Sanoma Hearst Romania SRL)

*smecher = Romanian slang for smart ass, wise guy, diamond geezer, cowboy. Pronounced sshh-mekka. A very evocative word and now its all yours. Try it on your Mum? Mike.

 

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The one that got away…

Posted by mikeormsby on April 6, 2012

(…and the one that wouldn’t leave)


I spot her on the ferry. Or maybe she spots me. We’re standing at the rail a few yards apart. I’m looking at the horizon towards France. I’m going to find a job there soon, if I’m lucky. She’s looking back at the white cliffs of Dover, England.

I reckon she’s Latino – olive skin, dark eyebrows.  The clothes look expensive – her red silk scarf flaps like flames and her dark hair blows like smoke around her beautiful face. I like that black coat, leopard collar. I can smell her perfume despite the November wind.  She’s everything a woman should be, sexy and mysterious. And I’m a teenager with pimples, looking for adventure, whatever comes my way. She’ll never come my way. I’m 19 and she’s what, 35? I watch the grey sea. Why is the English Channel never blue? How quickly can I get to the Alps?

I’m feeling sick by the time the ferry docks in Cherbourg. I stash my rucksack and skis in an empty compartment on the Paris train and settle in. I’m tired after a long trip from Liverpool and I close my eyes to sleep. I want peace and quiet, not tourists with guidebooks or strangers with questions. The glass door slides open.

I smell familiar perfume and open my eyes. The leopard woman peeps in and asks if she can join me. I can’t believe my ears.

“Sure,” I say, “It’s nice to have company.”

She has lots of shiny leather luggage and gives the sweating porter a tip. He touches his little cap and gives me the eye: lucky you.

The train pulls out and we watch France whizz past our window. The woman tells me she is Vienna.  She has a sexy accent and her English makes me smile.

”You’re going to Vienna?” I say.

She frowns and says: “God, no, boring place. I am Vienna. That’s my name. What’s yours?”

Turns out she’s not a leopard. She’s a Brazilian translator and speaks five languages. And she’s not sad, just exhausted, moving to Brussels. I tell her I’m on my second gap year before college. I’m going to Val d’Isere. If I’m quick, I’ll find a job as a waiter, ski all day and work all night – but not as a dishwasher like last season.

Vienna says: “Why not wash dishes?”

“For six months?” I say.

We share my sandwiches and my Johnny Walker and by the time we reach Paris we’re giggling. “Perhaps,” says Vienna, “You could help me to my hotel?”

I glance at her luggage and say: “Sorry. I need to get to Lyon as soon as possible. But it was nice meeting….”

I’ll never forget the look she gives me. Her bedroom eyes say: we were just getting started. A porter comes running and Vienna strides out of my life like a catwalk model. But I’m thinking ahead. I don’t want to wash dishes.

I’m in the Alps eighteen hours later, tramping through deep snow, knocking at different hotels, asking for a job. I pause for a drink and spot BJ, the Australian ski instructor that I first met last season. He’s 27, tanned brown as a nut. I tell him about my summer in England, and about Vienna.

“You bloody fool,” he says, “She was the one that got away!”

He’s probably right. Or maybe I was the one that got away? BJ buys me a Johnny Walker and says: “Look mate, drink up, this will help you forget.” But he’s wrong.

Mid-December, a funky chambermaid comes to work in the hotel where I wash dishes. Lucy is English, good-looking, same age as me with a posh accent. She has short hair, wears Dr Marten boots and dungarees; she might be a Lesbian, I’m not sure. She wants to go to Art College and shows me one of her sketches, which is entitled ‘Man Fighting Evolution’ but looks more like an octopus fighting a hedgehog. Lucy fucking hated boarding school and she fucking hates cleaning rooms.

However, she seems to enjoy fucking me, until one night when she almost bites my tongue off. I sit in bed, groaning in pain, wondering if Lucy is crazy. She pulls my duvet up to her pixie chin and her eyes sparkle in satisfaction like a naughty kid. She reaches for her book: Nana by Emile Zola, it’s about a woman who destroys men.

After two weeks and two-dozen disputes about everything and nothing, I want Juicy Lucy out of my life. She disagrees – no surprises there – and since she lives down the corridor from me in the warm basement of our hotel, separation is going to be rather tricky. But I’m determined.

One night, we argue about Picasso and soon Lucy is screaming but not with pleasure.  I open my door and ask her to leave, to go home, back to her own room, down the corridor. She sinks her teeth into my bare arm like a dog with a bone and won’t let go.

The purple bruise lasts a week and looks like a love bite. BJ spots it and says: “Enjoying Val d’Isère?”

I sip my scotch and wonder about washing dishes in Brussels.

***

[First published in Playboy, March 2012, by S.C. Mediafax Group SA]

playboy march 2012 < click here to see the original page from the magazine.

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Nu da vrabia din mână pentru cea de pe gard

Posted by mikeormsby on April 6, 2012

Am remarcat-o pe feribot. Sau poate ea a fost cea care m-a remarcat. Stăm sprijiniţi de balustradă. Mă uit la linia orizontului către Franţa. Îmi voi găsi în curând un job acolo, dacă am noroc. Ea se uită înapoi, spre stâncile albe din Dover, Anglia.

Cred că e hispanică – piele măslinie, sprâncene negre. Eşarfa ei din mătase roşie pâlpâie ca o flacără iar părul ei lung, negru pare un fum ce îi încadrează frumoasa faţă. Îmi place haina ei cu guler leopard. Îi pot simţi parfumul, în ciuda vântului de noiembrie. Este sexy şi plină de mister iar drumurile noastre nu se vor intersecta niciodată. Eu am 19 ani, iar ea, cât să aibă, 35? Mă uit la marea în nuanţe gri. De ce apele Canalului Mânecii nu sunt niciodată albastre? Cât de mult mai am până să ajung la Alpi?

Am rău de mare în clipa când feribotul acostează în Cherbourg. Îmi depozitez rucsacul şi schiurile într-un compartiment gol din trenul către Paris şi mă fac comod. Sunt obosit după lunga călătorie de la Liverpool. Vreau linişte şi pace, nu am chef de de străini care pun întrebări ciudate.

Uşa din sticlă a compartimentului se deschide uşor. Simt un parfum cunoscut şi deschid ochii. Femeia leopard mă întreabă dacă poate să mi se alăture.

“Desigur”, îi răspund, “e plăcut să ai companie.”

Are multe bagaje din piele strălucitoare şi îi strecoară un bacşiş hamalului transpirat. Acesta duce mâna la sapcă în semn de mulţumire şi-mi aruncă o privire complice: norocosule.

Trenul se pune în mişcare şi privim Franţa care rămâne în urma noastră. Femeia îmi spune că ea e Viena. Are un accent sexy şi engleza ei mă face să zâmbesc.

“Mergi la Viena?” întreb eu.

Ea se încruntă şi spune: “Oh, Doamne, nu, plictisitor loc. Eu sunt Viena. Aşa mă cheamă. Pe tine cum te cheamă?”

În cele din urmă se dovedeşte că este braziliancă, lucrează pe post de translator şi vorbeşte cinci limbi străine. Iar acum se mută la Bruxelles. Îi spun că merg la facultate, dar am luat doi ani de vacanţă înainte să încep cursurile. Merg la Val d’Isère. Dacă sunt rapid, poate îmi găsesc o slujbă ca ospătar. Schi ziua şi muncă toată noaptea, dar nu ca spălător de vase, ca vacanţa trecută. Viena spune: “De ce să nu speli vase?”

“Timp de şase luni?” îi dau eu replica.

Împărţim sticla mea de Johnny Walker, iar când ajungem la Paris deja râdem în hohote. “Probabil,” spune ea, “m-ai putea ajuta să ajung la hotel?” Mă uit la bagajul ei şi îi răspund: “Îmi pare rău, trebuie să ajung cât pot de repede la Lyon. Dar mi-a părut bine…”

Ochii ei îmbietori par să spună: ăsta e abia începutul. Un hamal a venit în fugă şi Viena a plecat din viaţa mea cu mersul unui model pe podium.

18 ore mai târziu mă aflu în Alpi, înotând în zăpadă, bătând din uşă în uşă pe la hoteluri, intrebând dacă au vreun loc de muncă disponibil. Mă opresc să beau ceva şi îl văd pe BJ, instructorul australian de schi pe care l-am întâlnit anul trecut. Are 27 de ani şi e foarte bronzat. Îi povestesc despre vara petrecută în Anglia şi despre Viena. “Eşti nebun,” spune el, “Ea te-a părăsit, nu tu pe ea!” Îmi cumpără un Johnny Walker şi îmi spune: “Ia amice, asta te va ajuta să uiţi.” Dar se înşeală.

La mijlocul lunii decembrie, o cameristă “cool” se angajează în hotelul în care eu spăl vase. Este englezoaică, arată bine, e de aceeaşi vârstă cu mine. Are părul scurt şi poartă salopete; pare a fi lesbiană. Vrea să studieze la Colegiul de Artă şi-mi arată una dintre schiţele ei care arată ca o caracatiţă luptându-se cu un arici. A urât pensionul ca naiba şi urăşte ca naiba să facă curat în camere.

Oricum, pare să-i placă să facă sex cu mine şi într-una dintre nopţi, aproape că îmi smulge limba din gură. Stau în pat, gemând de durere şi întrebându-mă dacă nu cumva Lucy e nebună. Îşi trage pătura peste bărbie iar în ochii ei se citeşte satisfacţia. Se întinde după o carte: Nana de Emile Zola. În ea este vorba despre o femeie care distruge bărbaţi.

După două săptămâni şi multe dispute, îmi doresc ca sălbatica Lucy să dispară din viaţa mea. Ea nu e de acord cu decizia mea – de ce oare nu mă miră – şi colac peste pupăză stă şi pe acelaşi coridor cu mine. Aşa ca e destul de complicat, dar sunt hotărât să fac asta.

Într-o seară ne certăm pe tema Picasso. Ea începe să ţipe, dar nu de plăcere. Deschid uşa şi îi spun să plece, să se ducă “acasă” la ea, în josul coridorului. Îşi înfige dinţii în braţul meu dezgolit, ca un câine care se repede la un os şi nu-i mai dă drumul.

Vânătaia nu dispare timp de o săptămână si urma arată în mod evident ca o muşcătură din dragoste. BJ o remarcă şi spune: “Ei, te distrezi la Val D’Isère?” Sorb din whisky şi mă întreb cum ar fi să spăl vase în Bruxelles.

 

playboy march 2012  < to see the original page from Playboy, please click. Multumesc.

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[First published in Playboy March 2012 by S.C. MediaFax Group SA.]

Posted in PLAYBOY (Rom) 2012 | Leave a Comment »

Wiki on my book(s)

Posted by mikeormsby on February 5, 2012

In English:

http://en.wikipedia.org/wiki/Never_Mind_the_Balkans,_Here%27s_Romania

In Romanian:
http://ro.wikipedia.org/wiki/Grand_Bazar_Rom%C3%A2nia_sau_C%C4%83l%C4%83tor_str%C4%83in_updated

Posted in WIKI on my book(s) | Leave a Comment »

FHM 2008 to 2010 (Rom.)

Posted by mikeormsby on February 4, 2012

‘LIBERTY’ (first published in FHM Jan 2010)

p048-Jurnal Mike Ormsby 1-7 < PLEASE CLICK

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‘REGELE SOSELEI’ (FHM Dec 2009)

p044-Jurnal Mike Ormsby 1-4 < PLEASE CLICK

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‘UN COWBOY ADEVARAT’  (FHM Nov 2009)

p048-Jurnal Mike Ormsby 1 < PLEASE CLICK

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‘PARADISUL PIERDUT’ (FHM Oct 2009)

p047-Jurnal Mike Ormsby 1-5 < PLEASE CLICK

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‘ALTCINEVA’ (FHM Sep 2009)

FINAL p047-Jurnal Mike Ormsby 1-4 < PLEASE CLICK

 

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‘DEPENDENT’ (FHM Aug 2009)

p056-Jurnal Mike Ormsby 1 < PLEASE CLICK

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‘PROFESORUL SI STRIPTEUZA’ (FHM June 2009)

p050-Jurnal Mike Ormsby 1-3 < PLEASE CLICK

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‘SCUFUNDA-TE SAU INOATA’  (FHM May 2009)


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‘PROBLEMA MAJORA’ (FHM April 2009)

Jurnal Mike Ormsby_major < PLEASE CLICK


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‘TATA, TE-AI INSELAT’ (FHM March 2009)

p052-Jurnal Mike Ormsby 1K1-1 < PLEASE CLICK


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‘BENZI DESENATE’ (FHM Jan 2009)

p052-Jurnal Mike Ormsby 1 < PLEASE CLICK


Photo by Nick Supple.

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‘SUBNUTRITI’ (FHM Dec 2008)

p062-Jurnal Mike Ormsby 1 < PLEASE CLICK


Photo: Mike Ormsby

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‘LOCUL ASTA O SA FACA EXPLOZIE’  (FHM Nov 2008, three weeks before the Mumbai attacks)

p057-Jurnal Mike Ormsby 1 < PLEASE CLICK LINK


Photo by Salman Usmani.

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‘LOVIT IN CAP’ (FHM Oct 2008)

p057-Jurnal Mike Ormsby-octombrie-2 < PLEASE CLICK


Author’s notes:

NB. ‘Mario’ = ‘Antonio’ = ‘Mario’ (despite typo in text of PDF)

Photo by Ascanio Martinotti.

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‘BONJOUR SATANA’ (FHM Sep 2008)

p052-Jurnal Mike Ormsby 1 < PLEASE CLICK


Photo by: Kim S. Gjerstad

Thanks to Eddie Tone and S.C. Sanoma Hearst Romania SRL for permission to post PDFs.

Posted in FHM 2008-2010 (Rom.) | Leave a Comment »

Don Kee

Posted by mikeormsby on February 4, 2012

My friend Don Kee applied for a job in the UN, hoping for grade P2. After a wait of 17 years, during which he filled in 265 forms, because he did not know anyone on the inside, he finally got unlucky. Here is Don at the office:

However, Don resigned from the UN when he saw the lunch facilities at Cafe Nosebag, and is now studying for his Masters in Maladministration at the University of Ears Anglia. He will soon be unleashed on some unsuspecting NGO, where he will bray about his past achievements with Ban Kee Moonshine.

Here is Don relaxing with friends (he has burned ears, because I am talking about him) :

Now, some tracking tips from Interpol. This is how you can tell if Don has been at your vegetable patch:

For comparative analysis, see below. This is not Don Kee. You can tell from his feet.

And finally, here is Don’s Uncle Black Beard, which is a bit odd if you think about it. I have no idea how he got in here. Probably on a rope.

Next week: ‘Don Kee Goes To Blackpool’ (and doesn’t come back).

Posted in You are JOKING? | Tagged: , , , , , , | 1 Comment »

Kill them all

Posted by mikeormsby on February 2, 2012

GUESS WHO’S COMING TO DINNER?

Have you ever wondered why we have pubic hair? Why we are scared of the dark? Why we are sometimes wary of people who look ‘different’?

Danny Vendramini offers some interesting answers in his book: ‘Them + Us’.

Danny speculates on how humans evolved and survived, on our relationship with Neanderthals and why they disappeared. He reckons we killed them all in the first genocide, because they were our ‘neighbours from hell’ – savage carnivores and apex predators of the stone age, who, from at least 100,000 until around 48,000 years ago, raped us, ate us, hunted us to the point of extinction in the East Mediterranean Levant, until Cro-Magnon Man got smarter, fought back and wiped them out, using tricks like the bow and arrow. According to Danny, the adaptations we made to survive Neanderthals helped to make us modern humans: hairless and highly intelligent hominids who communicate through language.

He calls this idea: Neanderthal Predation Theory (‘NP’).

Nuts, right? Some scientists want ‘more proof’. But people said that about Copernicus Galileo, and even Darwin’s ideas, first published in 1959, were not understood at the mechanical-molecular level until the 1950s. Danny is pro-Darwin but reckons the master may have missed something important about evolution, which brings us to his second theory. Before I explain, here’s some background.

Danny was not trained as a scientist. He was a theatre and film director who became curious about why so many cultures have scary myths and sagas about monsters and dragons, good and evil. He wondered if all this ‘fear’ has been somehow ‘hard wired’ into our genes and, if so, why? He claims to have read 8000 scientific papers looking for answers, none of which satisfied him.

Instead, over time, he developed a theory of his own: maybe our cultural myths originate in scary events that so shocked early humans they were encoded in their DNA and passed down the generations. He calls this ‘teemosis’, the inheritance of Traumatically Encoded Emotional Memory (‘TEEM’), and suggests it might explain the mysterious function of the ‘junk DNA’ that makes almost 99% of our genome. He postulates that nasty memories were stored in our junk DNA, passed down over countless generations and re-emerged through culture, where, from the dawn of humanity until today, they have been expressed as stories and sagas, paintings and films that tell the audience: Be careful, it’s dangerous out there. In other words human culture is not just entertainment it’s about survival.

Danny developed his ‘NP’ and ‘TEEM’ theories concurrently, as he sought answers for the biggest question of all: what scared us, so profoundly, so long ago?

As an answer, his book cites archaeological and genetic evidence to argue that Neanderthals began hunting us about 100,000 years ago and that by 50,000 years ago, the original human population that had moved from Africa to the Levant was reduced to as few as 50 individuals. He claims that Neanderthal Predation caused  ‘selection pressure’ that transformed the tiny survivor population of early humans into super-smart modern humans that spread around the globe, passing their survival skills and group experiences – good and bad – to their children through DNA and culture. He believes ‘teemosis’ worked alongside natural selection to determine who survived and who did not, and reminds us that Darwin said: “It is not the strongest of the species that survive, nor the most intelligent. It is the one most adaptable to change.”

Did we adapt to survive Neanderthals? They were exceptionally strong and their bones prove it. Danny reckons they probably looked more like gorillas than cavemen. He compared the large eye sockets of a Neanderthal skull with the smaller ones of a human. Neanderthals evolved extra large eyes, he says because, like most mammalian predators, they were nocturnal hunters. Hence our fear of the dark and ogres in the forest?

NP theory argues that, like all prey, early humans became hyper-vigilant for signs of their top predator and we have inherited this sense of ‘them and us’, which we express through culture: from the wild and hairy ‘forest man’ of illustrated medieval manuscripts, to the Himalayan ‘Yeti’ and bug-eyed zombies on that DVD you saw last week.

But enough scary stuff. In 2006, Danny also proposed that Neanderthals interbred with early humans and in 2010, the Draft Sequence of the Neanderthal Genome proved him right. He also has some ideas about why men idolize  – and idealize – women like the ones in magazines such as FHM, with perfect curves and bumps.

He says males almost exclusively exercised artificial selection and that any females who appeared to carry Neanderthal genes were killed. Over time, the ‘ideal’ woman emerged and even ancient art reveres the same body ratios that you’ll see in FHM, because our preferences reflect our fear of Neanderthal females.

As for pubic hair? That survived because it disguised our body odours, which Neanderthals detected from afar, like bears. After we wiped out Neanderthals, says Danny, we started killing each other because aggression was hard-wired. Hence xenophobia, war and genocide.

To learn more, visit: http://www.themandus.org/us.html.

One last detail: there exists only one fossilized footprint of a Neanderthal. It’s in Romania, in Vărtop Cave, in the Bihor Mountains, near Cluj. And that means they arrived before the Hungarians.

(This story first appeared in FHM in Jan 2012 and reappears here with permission from S.C. Sanoma Hearst Romania SRL).

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Posted in FHM 2008-2012 (Eng.) | Leave a Comment »

Fă-i una cu pământul

Posted by mikeormsby on February 2, 2012

Ghici cine vine la cină?

Te-ai întrebat vreodată de ce avem păr pubian? De ce ne e frică de întuneric si uneori ne e teamă de oameni care arată mai „altfel”?

Poti gasi câteva răspunsuri interesante în cartea ’Ei şi noi.” Autorul, Danny Vendramini propune cateva ipoteze referitoare la relaţia noastră cu oamenii de Neanderthal şi despre cum au dispărut aceştia. El crede că ei erau consideraţi „vecinii noştri din Iad” – carnivori sălbatici şi prădători de top din Epoca de Piatră. Cu cel puţin 100.000 până la 48.000 de ani în urmă, ei ne-au violat şi ne-au hăituit până la exterminare în regiunea Levant, din estul Mării Mediterane, asta până când omul de Cro-Magnon s-a deşteptat, a pornit la luptă şi i-a nimicit pe toţi in primul genocid, apelând la arc şi săgeţi. Dacă e să ne luăm după Danny, faptul că ne-am adaptat pentru a-i supravieţui omului de Neanderthal ne-a ajutat să devenim oameni moderni: fără păr şi extrem de inteligenţi, capabili să ne exprimăm prin limbaj.

El numeşte această idee: Teoria de distrugere a omului de Neanderthal („DON”).

Sună nebunesc, nu-i aşa? Unii oameni de ştiinţă vor „mai multe dovezi”. Dar nici ideile lui Darwin, din 1859, nu au fost înţelese la nivel molecular până în anii ’50. Danny este pro-Darwin, dar crede că maestrul a scăpat poate din vedere ceva important ceea ce ne aduce în faţa celei de-a doua teorii ale sale. Dar înainte de a vă explica, să începem cu începutul.

Danny nu a avut pregătire de om de ştiinţă. El a fost regizor de teatru şi film, şi a devenit curios de ce în atât de multe culturi se întâlnesc mituri şi poveşti terifiante despre monştri din padure despre rău şi bine. S-a întrebat dacă nu cumva această „teamă” nu ne-a fost oarecum transmisă genetic şi, dacă da, de ce? El susţine că a citit peste 8.000 de lucrări ştiinţifice, căutând un răspuns.

De-a lungul timpului, el a dezvoltat propria sa teorie: poate miturile din cultura noastră îşi au originea în evenimentele înfricoşătoare care i-au şocat pe primii oameni, transmiţându-se în ADN-ul lor şi regăsindu-se şi la generaţiile următoare. El numeşte acest fenomen „teemosis” sau moştenirea „memoriei emoţionale traumatizante codificata” („METC”) şi sugerează faptul că astfel se explică funcţionarea misterioasă a ADN-ului „junk”, care alcătuieşte aproape 99% din genomul nostru. Danny Vendramini a postulat teoria potrivit căreia aceste amintiri neplăcute, s-au transmis la nenumărate generaţii şi au reapărut în cultura oamenilor, fiind transpuse, de la începuturile umanităţii în poveşti, imagini şi filme, care comunică audienţei un mesaj de genul: Ai grijă, e periculos. Cu alte cuvinte, în cultura umană nu este reflectată numai latura distractivă, ci şi lupta pentru supravieţuire.

Danny şi-a dezvoltat cele două teorii „DON” si „METC” concomitent, în dorinţa de a găsi un răspuns la întrebarea care stă pe buzele tuturor: ce ne-a speriat atât de tare, acum foarte multă vreme?

Ca răspuns, cartea sa prezintă dovezi arheologice şi genetice care susţin faptul că oamenii de Neanderthal ne-au hăituit acum aproximativ 100.000 de ani şi că, acum 50.000 de ani, populaţia originară care s-a mutat din Africa în Levant a fost redusă la 50 de indivizi. El susţine că distrugerea omului de Neanderthal a creat „presiunea asupra selecţiei”, ceea ce a dus la transformarea fragilei comunităţi de supravieţuitori într-o populaţie modernă, foarte inteligentă, care s-a răspândit pe întregul glob, transmiţând capacităţile lor de supravieţuire şi experienţa de grup – bună şi rea – copiilor lor prin ADN şi cultură. Vendramini crede că fenomenul „teemosis” a contribuit, pe lângă selecţia naturală, la stabilirea supravieţuitorilor şi ne aminteşte că Darwin a spus: Specia care supravietuieste nu este cea mai puternica sau cea mai inteligenta. Este cea care se adapteaza cel mai bine la schimbare.”

Ne-am adaptat noi oare să supravieţuim omului de Neanderthal? Aceştia erau nişte fiinţe extraordinar de puternice, iar oasele lor stau mărturie. Danny recunoaşte faptul că ei arătau mai mult a gorile decât a oameni ai grotelor. El a comparat orbitele mari ale ochilor din craniile oamenilor de Neanderthal cu cele ale omului obişnuit. Oamenii de Neanderthal aveau ochi foarte mari, spune el, datorită faptului că erau vânători nocturni. De aici oare şi frica noastră de întuneric şi de monştrii din pădure?

Prima teorie a lui Vendramini susţine că primii oameni au devenit hiper-vigilenţi la semnele celor mai de temut prădători şi astfel s-a moştenit sentimentul de „ei şi noi”, pe care îl exprimăm prin dovezile noastre de cultură: de la sălbatica şi păroasa variantă masculină a „Mumei pădurii” din manuscrisele ilustrate medievale până la Yeti şi zombie cu ochi de insecte.

Dupa afirmatia lui Danny, David „BBC” Attenborough a citit cartea lui si „i-a placut foarte mult”. Cativa producatori TV sunt de asemenea interesati de ideile lui, poate pentru faptul ca in anul 2006, Danny a încercat să sugereze că oamenii de Neanderthal s-au împerecheat cu primii oameni, iar în 2010, Proiectul despre Genomul Omului de Neanderthal a dovedit că el a avut dreptate. Cu alte cuvinte, Danny nu e nebun.

El a propusa şi câteva idei legate de faptul că bărbaţilor le plac femeile cu rotunjimi şi curbe perfecte. El spune că demult, bărbaţii decideau in exclusivitate si apelau la selecţia artificială.  Orice femeie care era suspectată că are gene ale omului de  Neanderthal era ucisa.. De-a lungul timpului, idealul feminin s-a dezvoltat şi chiar şi arta antică omagiază aceleaşi proporţii ale trupului pe care le vezi în FHM, întrucât preferinţele noastre reflectă teama pe care o avem de femeile de Neanderthal, care aratau cu totul altfel. În ce priveşte părul pubian, el s-a menţinut pentru că ascunde mirosurile corpului uman, pe care oamenii de Neanderthal le detectau de la distanţă, precum urşii. După ce i-am exterminat pe cei din Neanderthal, spune Danny, am început să ne omorâm între noi, întrucât sentimentele de prejudecata si agresiune erau deja foarte puternice. Şi de aici xenofobia si războiul.

In sfarsit, un detaliu fascinant: în întreaga lume, s-a descoperit o singură urmă de picior fosilizată a omului de Neanderthal. Ea se află în Romania, in Peştera Vârtop din Muntii Bihor, la sud-est de Cluj. În concluzie, ei au fost aici înaintea… ghiciţi cui

Pentru a afla mai multe viziteaza: www.themandus.org.

(This story first appeared in FHM in Jan 2012 and reappears here with permission from S.C. Sanoma Hearst Romania SRL).

Posted in FHM 2010-2012 (Rom.) | Leave a Comment »

Queen for a day

Posted by mikeormsby on January 1, 2012

Get married in Azerbaijan?

Every Saturday morning, Tania comes to clean my apartment in Baku. She’s a middle-aged Russian lady, very jolly, with dark hair and missing teeth. My landlord recommended her.

We communicate in sign language because Tania doesn’t speak much English and all I know is niet, from my time in Yekaterinburg when I would get offered vodka morning, noon and night. Tania is an ex-schoolteacher. Times are hard.  I make her cups of tea and we get along fine during her visits.

She works hard but not very fast. It takes her about four hours to clean my place. Most of the time I try to keep out of her way, give her space. Around 3 pm she usually points to my ironing: shall I do that, too? I say ‘niet’, and she leaves.

One day, Tania thrusts a glossy card into my hand on her way out. It shows a lurid photo of a huge dining hall, its tables exquisitely set with flowers and candles. Will I come, to her daughter’s wedding? Da, Tania.

When she is gone, I phone a local friend who advises me to take an envelope with some money as a contribution, because Azerbaijani weddings get expensive for any family.

On the night, the taxi ride takes forty-five minutes at Formula 1 speed. I used to think some Romanian drivers were too fast and irresponsible. But compared to drivers in Azerbaijan, they are snails. By the time I walk into the reception hall, I’m ready to throw up.

The place is packed, about 400 people, the men dressed mostly in black, the women in bright frocks and heavy make up. The band has ten members belting out folk music on a variety of bizarre looking instruments. Waiters hurry around like an army of ants, filling glasses, serving food. The celebrations must have cost a fortune and soon I’m wondering: how can Tania afford it? Why so elaborate?

She greets me with a kiss and takes me to meet the happy couple. The bride and groom sit on thrones onstage, behind a big table laden with food and drinks. They’re young and dark-eyed and very good-looking, gazing down like a king and queen at the rest of us. I give them my envelope, pose for photos. I leave the stage and sit at a table with seven other guests. My grinning neighbour Ali has a Borat moustache and points to the circle of bottles: “Russian vodka?”

Over our sumptuous meal, we chat about football. Ali is curious about wages in the Premier League. I watch the guests dancing an Azeri version of the hora and I ask him about the logistics of this wedding. Ali rolls his eyes, as if to say: Crazy huh?

“The bride’s dress cost €500 to hire, for one day,” Ali says, “Her jewellery cost €5,000, a gift from her husband. They saved for two years. It’s all show. Peer pressure. You want some Russian vodka? Please, drink some Russian vodka. Which brand you want?”

The dancing seems strictly regimented – men with men, women with women. The bride descends from her throne like she just won the Oscar for Highest Heels, and wobbles around to a few lively songs. Two little girls in white dresses hold her train up, hopping around after her, making sure she does not trip and break her Louboutin shoes. It all looks very sweet. Those musicians are talented and fast. Ali sips his drink and whispers in my ear: “Peasant tunes.”

“They sound pretty good,” I say.

Ali looks a bit worried and tells me: “Have some Russian vodka.”

I’m tempted to dance the hora but maybe not. Last time I tried that, many years ago, at a lavish wedding in the lovely village of Miercurea Sibiului, Romania, I kicked some guy up the ass.

Towards the end of the night, a convoy of guests carry flaming torches into the hall and stand in rows, opposite each other. Down this corridor come a couple dressed in traditional clothes, like they’re from medieval times. The place is so crowded I watch them on the flat screen TVs instead, like in a sports bar. The medieval couple carry a bowl of fire to the top table and give it to the bride and groom. It looks like an accident waiting to happen. 400 guests barbecued at wedding party. I glance towards the exit, just in case. Ali pats my shoulder and tells me: “We’re Zoroastrians, fire worship is part of our culture, from years ago. Have you visited our famous temple, where the fire comes out of the ground?”

I shake my head but promise him I will try, if I get out of here alive.

It’s late. Time to call the F1 Taxi service. I say my farewells to Tania and wave to the happy couple. The bride is too busy dancing to notice my departure. The two little girls are still dancing around after her, holding her train, dreaming of being queen for a day. They look very sweet, until a third, smaller girl approaches and tries to hold the dress up too. They scowl and push her away: Hands off, bitch.

(This story first appeared in FHM in December 2011 and reappears here with permission from S.C. Sanoma Hearst Romania SRL).

Posted in FHM 2008-2012 (Eng.) | Leave a Comment »

Regină pentru o zi

Posted by mikeormsby on January 1, 2012

Vrei să mergi la nuntă în Azerbaidjan?

În fiecare sâmbătă dimineaţa, Tania vine să-mi facă curat în apartamentul din Baku. Este o rusoaică de vârstă mijlocie, foarte jovială, cu păr negru şi dinţi lipsă. Mi-a fost recomandată de către proprietarul casei. Comunicăm prin semne, întrucât ea nu vorbeşte limba engleză, iar eu nu ştiu să spun în limba rusă decât niet, de pe vremea când locuiam în Ekaterinburg, acolo unde mi se oferea vodcă dimineaţa, la prânz şi seara. Tania a fost cândva profesoară. Vremurile sunt grele. Îi fac ceai şi ne înţelegem de minune.

Munceşte din greu, dar nu este foarte iute. Îi ia cam patru ore să-mi facă curat în casă. Eu încerc să nu-i stau în cale, oferindu-i spaţiu şi timp. Ca de fiecare dată, în jurul orei trei după-amiaza, arată spre rufele de călcat: fac şi asta? Spun ‘niet’, iar ea pleacă.

Acum câteva săptămâni, Tania mi-a strecurat în mână o invitaţie lucioasă. Avea pe ea o fotografie strălucitoare, a unui salon imens, cu mese aranjate în mod elaborat, împodobite cu flori şi lumânări. Uitându-mă la ea, am dedus că e o invitaţie la nunta fiicei sale. Mă întreabă dacă pot veni. Da, Tania.

După plecarea ei, am sunat un prieten azer, care m-a sfătuit să pun nişte bani într-un plic, pe post de dar, întrucât nunţile în Azerbaidjan sunt foarte scumpe.

În noaptea nunţii, taxiul m-a plimbat  45 de minute cu o viteză demnă de Formula 1. Credeam că unii şoferii români merg prea repede şi sunt iresponsabili. Dar în comparaţie cu cei din Azerbaidjan, românii se mişcă cu viteza melcului. Când ajung la restaurant, mi-e  rău de la masina şi imi vine să vomit.

Locul e plin ochi, sunt cam 400 de persoane, bărbaţii sunt îmbrăcaţi majoritatea în negru, iar femeile poarta rochii strălucitoare şi machiaje stridente. Orchestra este alcătuită din 10 membri, toţi interpretând muzică folk, la instrumente bizare şi volum maxim.

Chelnerii se mişcă cu repeziciune, aidoma unei armate de furnici, umplând paharele cu băutură şi servind mâncarea la mese. Nunta asta trebuie să fi costat o avere. Cum or fi putut Tania şi familia ei să-şi permită aşa ceva?

Mireasa şi mirele stau pe nişte tronuri, pe o scenă, la o masă încărcată cu mâncare şi băutură. Sunt tineri, au amândoi ochii negri, sunt arătoşi şi se uită la noi de parcă ar fi rege şi regină. Tania mă întâmpină cu un sărut şi mă conduce spre fericitul cuplu. Le înmânez plicul şi stau cu ei la poze. Părăsesc scena şi mă aşez la o masă, împreună cu alţi şapte invitaţi. Vecinul meu Ali, zâmbeşte tot timpul, are o mustaţă gen Borat şi arată către sticle: „Vodcă rusească?”

Mâncăm, bem şi vorbim despre fotbal. Ali e curios să afle despre salariile celor din Premier League. Mă uit la invitaţii care dansează o versiune azeră a horei româneşti şi îl întreb pe Ali despre partea de logistică a acestei nunţi. Ali îşi roteşte ochii de parcă ar spune: Nebunie curată, nu?

„Rochia miresei costă 500 de euro de închiriat pentru o zi. Bijuteriile costă 5.000 de euro, cadoul de la soţul ei. Au făcut economii timp de doi ani pentru a le putea cumpăra. Totul e un spectacol dar n-au de ales. Sunt forţaţi de prieteni şi familie. Vrei nişte vodcă rusească? Bea nişte vodcă rusească. Ce marcă vrei?”

Dansul pare strict regimentat – bărbaţi cu bărbaţi şi femei cu femei. Mireasa coboară de pe tronul ei, de parcă tocmai ar fi câştigat Premiul Oscar pentru Cele Mai Inalte Tocuri şi se împleticeşte pe acordurile vesele ale cântecelor de petrecere. Două fetiţe îmbrăcate în alb îi ţin trena, având grijă ca aceasta să nu se împiedice şi să-şi rupă pantofii Louboutin. Totul arată minunat. Muzicanţii, sunt talentaţi şi foarte iuţi. Ali soarbe din băutură şi îmi şopteşte la ureche: „Melodii ţărăneşti.”

„Sună destul de bine,“ spun eu.

Ali pare un pic îngrijorat şi îmi spune: „Ia nişte vodcă rusească.”

Sunt tentat să dansez o horă, dar mai bine mă abţin. Ultima dată când am încercat asta, acum mulţi ani, la o nuntă extravagantă în Miercurea Sibiului, i-am dat un şut in fund unui alt invitat, în timpul dansului.

Spre sfârşit, în sală îşi face apariţia un alai de invitaţi, ce poartă făclii arzând şi care se aşază unii în faţa altora, pe două rânduri. Pe culoarul format, îşi face apariţia un cuplu îmbrăcat în haine tradiţionale, care vine parcă din timpuri medievale. Locul e atât de aglomerat, încât nu pot vedea ce se întâmplă decât pe o plasmă, exact ca în barurile în care se transmit în direct evenimente sportive. Cuplul poartă un bol cu foc şi se îndreaptă către scenă, înmânându-l miresei şi mirelui. Aştept din clipă în clipă să se întâmple un accident. 400 de invitaţi arşi de vii la o nuntă. Pentru orice eventualitate, mă uit către ieşire. Ali mă atinge pe umăr şi îmi spune: „Suntem zoroastrieni, cultul focului face parte de mulţi ani din cultura noastră. Ai vizitat faimosul nostru templu, acolo unde focul ţâşneşte din Pământ?”

Dau din cap în semn că nu, dar îi promit că voi încerca să ajung acolo, dacă scap viu de aici. E târziu. E timpul să chem taxiul de Formula 1. Îmi iau rămas-bun de la Tania şi mă îndrept către fericitul cuplu. Mireasa e prea ocupată cu dansul pentru a sesiza plecarea mea. Cele două fetiţe încă dansează în jurul ei, ţinându-i trena şi visând la a fi regine pentru o zi. Sunt foarte drăgălaşe amândouă, până în clipa în care o a treia, mai mică, se apropie de ele şi încearcă să pună şi ea mâna pe rochie. Cele două se uită urât la ea şi o împing: Nu pune mâna, căţea.

(This story first appeared in FHM Romania in December 2011 and reappears here with permission from S.C. Sanoma Hearst Romania SRL).

Posted in FHM 2010-2012 (Rom.) | Leave a Comment »

Teenage Kicks

Posted by mikeormsby on December 4, 2011

When a difficult person enters your life, they will stay until you learn the lesson that they came to teach you. Or so I heard.

Mick Wormwood entered my life when I was twelve. He left it fifteen years later. Perhaps I’m a slow learner.

Mick was a tough lad from inner city Liverpool who moved to our suburb ten miles out. I first met him playing school football.

He was smallish but strong, fast and fearless. He had flame red hair and beady eyes. His broad back hunched when he ran – Quasimodo in a football kit. He had a terrible temper – ready to fight anyone, including the referee. He scored three goals, including the winner, and smirked when we shook hands at the end of the match, captain to captain. “Nice team you got,” he said.

Next time I saw him, he was leading a gang of local troublemakers around town. He pointed at me and they laughed. Nice team, asshole.

Mick was mad, bad and dangerous to know. Always fighting. Even his surname – Wormwood – sounded like Wormwood Scrubs, the infamous prison of Victorian London.

But there was another side to him that I witnessed by accident, one day when I was carrying my books home from school. Mick never carried books, but that day he was carrying shopping for two tiny old ladies, up a steep bridge over our local canal. He seemed surprised to see me.

“Nice team,” I said, and wished I hadn’t.

Mick stared at me and said: “I know where you live, mate.”

He knocked at my door an hour later in his jeans and Dr Marten boots. I thought he had come to beat me up. “What you doing?” he said.

“School work,” I said.

He rolled his eyes and said: “Want to play football?”

I told him I would meet him on the field in twenty minutes. But I was there in fifteen, in case he changed his mind.

We were soon firm friends – both named Michael with the same red hair and the same love of football. I liked the contradiction in his character – Mick the hooligan with a good heart. Maybe he was curious about the jerk that did homework and loved football.

I kept my distance from his gang, though, after I saw Mick kick some rival black and blue, and smash a hammer through a car window. Next day he was sitting on my parents’ sofa, drinking tea.

“He’s a gentlemen, your pal Mick,” my Mum would say. I wanted to say: try schizophrenic

 Mick left school at 16 and got a job tending the local parks. His face was soon tanned like an old boot and lined by the merciless wind that blew in from the Irish Sea.

When I went to college in Cardiff, Mick would hitchhike down for the weekend, arriving at midnight, dripping with rain. My flat-mate at that time was some spoiled rich kid, a film student who was always leaving his soiled clothes on the bathroom floor. Once he asked Mick: “Have you seen ‘My Beautiful Launderette’?”

Mick replied: “No, but I’ve seen your dirty washing.”

He was quick with jokes but also depressed at not being a professional footballer. Big clubs tried him but his temper was a liability. After too many beers one night, he told me:

“When I get angry a black curtain comes down and I cannot see in the darkness.” Then he asked me how come millionaire Bono still had not found what he was looking for? Bit of a philosopher, was our Mick.

The final time I saw him, Mick was in London, suit pockets stuffed with cash. He was now ‘a businessman’ in the East End.

Oh really? I suppose I could imagine how his roguish charm might play well with Cockney wide-boys, but I was disappointed that he thought they were a solution to his broken dreams, dead end job and failed marriage. He was no longer digging parks. But was he digging his grave?

Sure enough, a few months later, some kids found Mick’s body swinging from the bridge over our old canal in Liverpool. I heard he had been knocking on doors around the neighbourhood, asking for a washing line so he could tow his car, which was odd, since he never learned to drive.

If you’ve ever lost someone to suicide, you know how I felt. If not, i hope you never do. Grief and guilt wrestle in your soul and it never really goes away. Mick was a rare individual, tough but funny, violent but kindhearted, McEnroe, Tyson and Mother Theresa, combined.

I suppose he taught me not to judge a book by its cover. I picture him now, playing football in heaven, as captain of the fallen angels, arguing with St Peter about the offside rule.

(This story first appeared in FHM in November 2011 and reappears here with permission from S.C. Sanoma Hearst Romania SRL).

Posted in FHM 2008-2012 (Eng.) | 8 Comments »

Fiorul adolescenţei

Posted by mikeormsby on December 4, 2011

Diavolul înscrie cele mai frumoase goluri

Când o persoană mai altfel îşi face apariţia în viaţa ta, ea va sta cu tine până ce vei învăţa lecţia pe care această persoană a venit să ţi-o predea. Sau cel puţin aşa am auzit.

Mick Wormwood a apărut în viaţa mea când aveam 12 ani. A plecat 15 ani mai târziu. Probabil din cauză că mie îmi ia mai mult timp să învăţ.

Mick era un tip dur din Liverpool, care s-a mutat în suburbia noastră, la aproximativ 16 kilometri distanţă de centrul oraşului. Prima dată l-am cunoscut pe terenul de fotbal.

Era mic de înălţime, dar puternic, rapid şi curajos. Avea părul de un roşu-aprins şi o privire răutăcioasă. Spatele său mare se cocoşa atunci când alerga – era un Quasimodo pe terenul de fotbal. Avea un temperament groaznic – era gata să sară la bătaie cu toată lumea, inclusiv cu arbitrul. A înscris trei goluri şi a zâmbit cu un aer de superioritate atunci când, la sfârşitul meciului, ne-am strâns mâinile, ca de la căpitan la căpitan. „Ai o echipă bună”, mi-a spus el.

Următoarea dată când l-am văzut, era liderul unei găşti de turbulenţi din oraş. A arătat înspre mine cu degetul şi au început cu toţii să râdă. Bună echipă, ticălosule.

Mick era nebun, rău şi periculos. Întotdeauna sărea la bătaie. Chiar şi numele său de familie – Wormwood – suna ca în Wormwood Scrubs, o închisoare faimoasă din Londra.

Dar mai exista o latură a sa, la care am fost martor accidental, în ziua când îmi luasem cărţile de la şcoală. Mick nu cărase în viaţa lui cărţi, însă azi căra sacoşele cu cumpărături pentru două doamne în vârstă şi mai mărunţele, peste podul în pantă care traversa canalul nostru din oraş. Părea surprins să mă vadă. „Bună echipă”, am spus şi mi-am dorit să nu fi spus asta niciodată. Mick a zâmbit şi mi-a spus: „Amice, ştiu unde stai.”

O oră mai târziu îmi bătea la uşă, îmbrăcat în blugi şi bocanci Dr. Martens. Am crezut că a venit să mă bată. „Ce faci?” m-a întrebat el. „Temele”, i-am răspuns. Si-a dat ochii peste cap şi m-a întrebat: „Vrei să jucăm fotbal?” I-am spus că ne vom întâlni în 20 de minute pe teren, dar am ajuns acolo în 15, în caz ca nu cumva să se răzgândească.

În curând am devenit buni prieteni – pe amândoi ne chema Michael, aveam acelaşi păr roşu şi împărtăşeam aceeaşi pasiune pentru fotbal. Îmi plăcea contradicţia caracterului său – era un golan cu inimă mare. Poate avea doar o curiozitate legată de tocilarul care îşi făcea temele.

M-am ţinut departe de gaşca sa după ce l-am văzut pe Mick lovindu-şi nişte rivali în negru şi albastru şi aruncând un ciocan prin parbrizul unei maşini. A doua zi stătea pe canapeaua părinţilor mei, bând ceai. „Mick e un adevărat domn”, spunea mama mea. Eu vroiam să spun că e mai degrabă schizofrenic.

Mick s-a lăsat de şcoală la 16 ani şi a găsit o slujbă care consta în a avea grijă de parcurile din zonă. Faţa sa era în curând bronzată ca o cizmă veche şi ridată de vânturile ce băteau dinspre Marea Irlandei.

Eu am plecat la colegiu în Cardiff, iar Mick făcea autostopul în weekend, pentru a veni să mă vadă, ajungând la miezul nopţii, ud leoarcă din cauza ploii. Colegul meu de apartament era un băiat răsfăţat, de bani gata, un student cinefil care îşi lăsa mereu hainele murdare aruncate pe jos în baie. Odată l-a întrebat pe Mick: „Ai văzut „Frumoasa mea spălătorie”?” Mick i-a răspuns: „Nu, dar am văzut în schimb hainele tale nespălate.”

Avea simţul umorului, dar faptul că nu era jucător de fotbal profesionist îl deprima. Marile cluburi l-au testat, însă caracterul său era o problemă. După ce într-o noapte a băut mai multe beri, mi-a spus: „Când mă enervez, mi se pune o cortină neagră în faţa ochilor şi nu pot vedea în întuneric.” Apoi m-a întrebat cum naiba se face că Bono de la U2 e milionar şi încă nu a găsit ceea ce căută. Mick avea uneori sclipiri de filozof.

Ultima dată l-am văzut în Londra, cu buzunarele pline de bani. Mick era acum ‚om de afaceri’ în East End. Îmi imaginam că ştrengara sa charismă se potrivea de minune cu escrocii din această parte a Londrei. Dar eram dezamăgit de faptul că el credea că asta e soluţia în faţa viselor sale spulberate, a slujbei fără perspectivă şi a mariajului eşuat. Nu mai săpa prin parcuri. Oare acum îşi săpa mormântul?

Câteva luni mai târziu, câţiva copii au găsit trupul lui Mick atârnând pe podul ce traversa vechiul nostru canal din Liverpool. Auzisem că bătuse pe la uşi, cerând o sfoară de rufe pentru a-şi remorca maşina, ceea ce era bizar, pentru că el nu ştia să conducă.

Dacă vreun apropiat de-al vostru s-a sinucis, înseamnă că înţelegeţi ce simt. Dacă nu, sper să nu vi se întâmple niciodată asta. Amărăciunea şi vinovăţia îţi invadează sufletul şi nu mai pleacă de acolo niciodată. Mick era un tip cum rar găseşti, dur, dar amuzant, violent, dar cu inima bună, o combinaţie de McEnroe şi Tyson.

Cred că el m-a învăţat să nu judec o carte după copertele sale. Mi-l imaginez acum jucând fotbal în Rai, căpitan al îngerilor căzuţi, certându-se cu Sf. Petru pe tema regulii offside.

(This story was first published in FHM Romania magazine, Nov issue, 2011).

Posted in FHM 2010-2012 (Rom.) | Leave a Comment »

Healthy mind, healthy body?

Posted by mikeormsby on November 1, 2011

 

 

In a few minutes, as you finish reading this, I will suggest a simple but interesting exercise to test your mind and body at the same time. But let’s start with how I learned about it.

In 2008, I spent a weekend hiking in northern India. I slept in a tent, swam in the strong current of the freezing clear Ganges, I rode in a battered bus with people sitting on top, I saw the snowy Himalayas, far in the distance. It was fun. On those steep hills, my skinny guide was as nimble as a goat and as strong as a bear. At dawn, he would do stretches, lithe as a cat, outside his little tent. I asked him how come he was so healthy. He was standing on his head at the time. “Yoga,” he said and closed his eyes to meditate, breathing deeply. I sipped coffee in golden sunlight by the misty river, and promised myself: Someday, I’m going to try that.

I finally got my chance here in Azerbaijan. One Friday night I was having dinner with some Azeri friends, talking about our busy week, the stress of city life. Samira with the bright eyes and corkscrew hair told us that Saturday morning yoga was the perfect solution. “But can you stand on your head?” I asked. She just smiled – silly English – and looked at her watch.

Soon, I joined Samira’s yoga class: 90 minutes, three times a week in a gymnasium on the 9th floor with a spectacular view of Baku and the Caspian Sea. I’m glad I did. We do a variety of stretches – asanas – and finish off with five minutes of breathing exercises and fifteen minutes of meditation, lying on our backs listening with the lights dimmed, listening to chill-out music.

To be honest, it was a bit difficult at first. I found some yoga positions hard, despite all my years of running and swimming. Yoga also gave me headaches afterwards. But it gets easier and after just a few weeks I now feel stronger and more flexible. It’s a different sort of fitness. Something has changed in my mind too.

Our teacher is the quietly spoken Mr. Rasim Hasanov. He is a gentleman and a scholar, and I asked him a few questions about yoga, just for you.

FHM: Rasim, how did you discover yoga?

Rasim: A book fell on my head! I was 17, visiting a friend. His dad was an academic. I was browsing his home library in Baku and an old book tumbled down on my head. It was about yoga, published before the Russian Revolution. I borrowed it and started teaching myself.  That was in the Soviet era and yoga was banned. My parents feared the KGB would arrest us!

FHM: Why did you persevere?

Rasim: As a teenager I was feeble and always getting sick. But after three years of yoga, I felt like a new person. No illnesses, no more medication. I’m 60 now. I’ve been doing yoga for 43 years, in my spare time.

FHM: What did you do for a living?

Rasim: I was a researcher for gold mines. I have a PhD in geology. But after Azerbaijan gained independence, I became a geography teacher. I also compose music.

FHM: What advice would you give to someone just starting yoga?

Rasim: Find a teacher, learn properly and take it slowly.

FHM: What are the most common misconceptions of yoga?

Rasim: Some people think it’s a religious sect, aerobics or psychological training. But in fact, it’s a way to re-discover yourself. There are over 20 different types of yoga. Some people prefer the meditation to the physical exercises. But you should beware of ‘hot’ yoga, in a hot room – that’s a dangerous gimmick, trust me.

FHM: What are your worst and best experiences of yoga?

Rasim: I hurt my legs when I started. That was the worst. The best was when my masters – B.K.S. Iyengar and Ravi Shankar – approved me to teach yoga. I was also pleased to give a class at a symposium of 2000 teachers near Zurich, and to publish my first book. I’ve written two – yoga for the spine, yoga for pregnant women. Now I’m writing about yoga for children.

FHM: Is yoga popular in Azerbaijan?

Rasim: Well, these days, I have military generals and politicians in my classes. It’s funny how times change! As for the future, I want to start my own academy. I need investors. I hope for the best. The world would be a better and more beautiful place if everyone did yoga. My best wishes to Romania!

That’s all from Rasim. But finally, dear reader, try this: Remove your shoes, stand straight and bend your right leg back at the knee, holding your right foot behind your bottom with your right hand. Extend your left arm vertical, reaching for the sky. Close your eyes and try not to wobble. Tricky huh? This is one version of the Lord of the Dance position. It will tune your body and mind. And by the way, I’m typing this standing on my head.

***

This story first appeared in FHM (Romania) in October 2011 and reappears here with permission from
S.C. Sanoma Hearst Romania SRL .

Posted in FHM 2008-2012 (Eng.) | 2 Comments »

Mens sana in corpore sano

Posted by mikeormsby on November 1, 2011

Dacă n-ai încercat, poate trebuie s-o faci, într-o zi.

Please click the link below, for the PDF from FHM October 2011.

Multumesc for reading.

Mens sana in corpore sano

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California Dream

Posted by mikeormsby on October 22, 2011

Some ideas take days, weeks. This one takes three seconds.

It comes to me in a flash, at 5.30 one Saturday morning, when I’m knee-deep in snow in Yekaterinburg, 1400 kilometres north east of Moscow, temperature minus 40C. I’ve had enough of this place, this job. I need time out from training journalists. I need a change. I want to chase my dream. I will move to California. It’s as simple as that.

Twenty minutes later I reach my desk at BBC School. I sit at my computer, log into the chat room and type with numb fingers: Sorry I’m late, 35 cm of snow last night. My five colleagues are already online. Most of them are in Los Angeles, where it’s 5 pm on Friday, and they’re chatting about going later for cocktails by the ocean. We’re learning how to write and sell a movie script. I ask our trainer if I should move to Los Angeles. He replies with an icon : )

Six months later, I’m standing in an empty apartment looking down at tanned swimmers. The landlord tells me those neighbours are friendly and work in the industry – actresses, editors and producers. He’s probably bullshitting but the apartment is clean and well located. “Twelve months?” I ask, and he hands me the lease form. “Welcome to LA,” he says. His wig is the worst I ever saw.

I spend a week furnishing my new home, buying a car, registering for screenwriting classes at UCLA. The neighbours are curious more than friendly. But Daphne from next door is very helpful, smiling with those big blue eyes. She’s 70, Jewish, born and bred in LA. She knows the score and she senses I could use a friend. Soon, she is my best one.

When I’m not attending class I do my laundry or cycle the boardwalk at Venice Beach or drive up to Malibu and swim in the breakers. I sign up for the LA marathon, why not.  Best of all, my script is going well, sci-fi with a twist. You always need a twist. My tutor Anne seems genuinely interested in helping me get it right. She knows people in the industry.

One weekend, my block buddy Daphne invites me to a barbecue at some big house on a hill to meet her family and friends. We sit on a terrace sipping beer. The other guests are real estate agents and teachers, programmers and surf dudes who say Hey instead of Hello. They’re easy company and wish me good luck. But the guy who arrives wearing a bathrobe and flip-flops is morose and distant, chews a chicken leg and seems as if he could not care less about this pale-faced Brit who took a sabbatical to develop a script. He drifts back to his buddies.

Driving home, Daphne asks if I had fun. Then she tells me that Bill-the-bathrobe recently earned $2m for co-writing a comedy, starring Jim Carrey. I stare at the traffic on Santa Monica Boulevard. Why was Bill so unfriendly? “Because in LA, you’re competition,” says Daphne.

“No way Daphne, I’m a neophyte.”

She smiles and says: “Not if you know words like that.”

The millionaire’s attitude leaves me in a state of paralysis for a few days. I stare at my laptop, convinced that my sci-fi script is weak, amateur. I should have stayed in Russia, training journalists in the sticks. At least they were friendly. Screenwriting is lonely. Why even bother?

My luck turns after my next session at UCLA. My tutor Anne introduces me to a friendly middle-aged couple visiting campus. John is an experienced movie director and Mary is a well-connected producer. They respect my spontaneous decision to move to LA. “Decent script too,” says John.

A week later, I visit their home in the Hollywood hills and inspect their stack of videos. They have worked on almost 300 TV movies. We sit at a big black table. Mary flips through my script, scribbling her red pen, telling me how to improve it. “And then what?” I ask. John pats my arm and says: “We’re going to make this movie.” I stand in silence, stunned, staring at the ocean through his big window. A gull soars on a thermal because it’s easy when you know how.

I drive back to my apartment. Is this a dream? No. I work my ass off for two weeks, night and day, swapping drafts with them by email. Finally, John is happy and Mary will chase the money. They’re confident and I’m walking around in a bathrobe and flip-flops.

They take a short vacation. I fly to Indonesia to train journalists for 2 weeks. I tell people oh sure, my first movie is in development. But I get worried when the emails from LA stop coming. Eventually, John writes and tells me he’s bored with Hollywood. He wants to teach at UCLA. Mary has applied for a job at the Gene Autry cowboy museum in Griffith Park. They need a change. My move from Russia was kind of inspiring. The idea came to them in a flash.

(This story was first published in FHM Romania, Sep 2011 and reappears here with permission of S.C. Sanoma Hearst Romania SRL)

Posted in FHM 2008-2012 (Eng.) | 3 Comments »

California Dream (Ro.)

Posted by mikeormsby on October 22, 2011


Please click the link, for PDF. Multumesc for reading.

California Dream

This story was first published in FHM (Romania) in September 2011. It appears here by kind permission of S.C. Sanoma Hearst Romania SRL

Posted in FHM 2010-2012 (Rom.) | Leave a Comment »

Frizeriţa de weekend

Posted by mikeormsby on September 25, 2011

„Socoteala de acasă nu se potriveşte cu cea din târg.”

 

E foarte prietenos tipu’ ăsta care stă în faţa hotelului nostru, în pantaloni scurţi şi tricou, cu genunchii săi roz şi o rachetă de tenis. Aşteaptă să-i vină maşina.  Ne uităm la cerul albastru şi vorbim despre vremea de aici, din Ciad – iar e cald, 35ºC la ora 8.45 dimineaţa. Tipul îmi spune că va fi şi mai cald în câteva săptămâni. Pare a fi   supărat şi agitat. Se uită la ceas şi propune să ne întâlnim la o bere pe terasa hotelului. Întreabă numărul camerei în care stau, apoi îmi spune: „Hei, suntem vecini!” Se urcă într-un jeep prafuit. Îl aud certându-se cu şoferul său: Cum reusesti să întârzii în fiecare  sâmbată?

În ce mă priveşte, eu mă duc să mă tund. Stau şi aştept să vină să mă ia cineva, urmărind între timp şopârlele care fac flotări în iarba uscată. Ele se holbează la mine: care e problema ta? E o întrebare corectă. Problema mea e securitatea: oriunde mă duc, am un şofer oficial care mă duce din punctul A în punctul B. Chiar şi pentru o tunsoare, într-o frizerie aflată la 300 m distanţă. In regula numai ca soferul are o jumătate de oră întârziere.

Eventual apare si pornim cu maşina în josul şoselei principale.  E plin de maşini care claxonează şi copii zâmbitori, dar frizeria este închisă, aşa că ne învârtim în zonă, în căutarea unei alternative. Văd un salon care pare OK. Şoferul meu parchează maşina, îşi dă scaunul pe spate şi îşi trage şapca peste ochi.

Doamna impunatoare din salon lasă deoparte revista şi spune: „Bună dimineaţa! Tuns? Nici o problemă, sus pe scaun, eşti primul meu client.” Mă aşez pe scaun şi remarc că e un pic cam prăfuit. Observ şi că nu ştie cum să-mi lege pelerina în jurul umerilor, în timp ce ea se uită atent la butoanele de pe maşina de tuns. Atunci când o bagă în priză, aceasta huruie ca o maşină stricată de tuns gazonul. Îmi umblă cu ea pe cap, aruncând păr în toate părţile. „Scuze,” spune ea, „nu ştiu unde au pus cealaltă maşină care merge mai bine.” Îi prind privirea în oglindă şi întreb: „Au pus… cine?’

Ea îmi verifică capul şi spune: „Foştii proprietari. Abia am preluat afacerea.”

Ne punem la taclale. Ella e de peste graniţa, din Camerun. Mă întreabă ce fac în Ciad. Îi spun că sunt consultant media şi pare satisfăcută de răspuns. Nu-i spun că  lucrez cu jurnaliştii din partea locului a căror meserie este să realizeze programe radio care să contracareze propaganda radicală islamistă şi să promoveze toleranţa religioasă. Nu-i spun nici că oamenii sunt îngrijoraţi de miile de tineri din Ciad care nu au de muncă şi sunt plictisiţi, dezamăgiţi şi vulnerabili în faţa influenţei preoţilor charismatici, luand deseori calea către Pakistan. Nu spun că guvernul din Ciad este îngrijorat de ideologia extremistă. Pentru că după 15 minute în compania maşinii de tuns gazonul, sunt îngrijorat la rândul meu de părul din cap. Arată ca si cum un câine tocmai s-a plictisit să-l molfăie. Frizeriţa scoate limba prin coltul gurii o gumă de mestecat roz în timp ce lucrează. Fără sa apar nepoliticos, o întreb unde s-a specializat în domeniu. Aruncă din nou o privire maşinii de tuns şi-mi spune: „Nu am pregătire. Şi ştii ce? Cred că am nevoie de ochelari.”

Mă holbez la ea în oglindă. „Dar eşti frizeriţă, nu-i aşa?”

Ea ridică din umeri. „Eu? Nu, eu fac manichiură şi pedichiură. Vrei să-ţi fac şi ţie? Costă numai 50 $.”

„Dar pe firma de la intrare scrie frizer. Ai spus că sunt primul tău client pe ziua de azi.”

„E o firmă veche. Am vrut să spun că eşti primul meu client în general. Oricum, de tuns n-am mai tuns pe nimeni niciodată.”

Nu-mi vine să cred ce-mi aud urechile. Nu e de mirare că freza mea  seamănă acum cu un covor vechi. Ea se uită inspre strada aglomerată şi spune: „Ştii vreun oftalmolog în zonă?”

O întreb pe Ella dacă ştie unde au pus foştii proprietari maşina de tuns cea bună. Ea spune: „Bună idee, ma duc s-o caut din nou.” Mă lasă să stau în scaunul plin de praf, cu pelerina atârnând. Stau în linişte, uitându-mă lung la propria reflecţie din oglinda spartă. Un puşti bate la geam: Ça va?

În dimineaţa următoare, sunt în camera de hotel când Benjamin bate la uşă. Lucrează la curăţenie, dar este şi muzician în devenire. Benjamin cântă într-o formaţie la biserică şi, o dată pe săptămână, îi dau scurte lecţii de chitară. El face progrese. Prietenii lui sunt invidioşi. Îi arăt notele pentru blues ca să repete. La jumătatea exerciţiului, el se uită la mine şi îmi spune: „Domnule Mike, ai o freză haioasă.” Îi spun despre Ella, iar el replică: „Ştii, camerunezii ăştia…”

Mai târziu, mă întâlnesc cu jucătorul de tenis prietenos, pe terasă. Numele lui e Jim. Lucrează pentru o ambasadă, cheltuieşte o avere construind machete de aeroplane şi e celibatar, ceea ce nu mă surprinde. Ceea ce mă surprinde este faptul că Jim locuieşte în camera 107 a hotelului nostru, din anul 2007. Mă holbez la el şi spun: „4 ani, vorbeşti serios?” El se uită la capul meu şi răspunde: „Mult mai serios decât frizerul care te-a tuns în halul ăsta.” Aşa că îl întreb pe Jim dacă ştie vreo frizerie bună sau un oftalmolog bun.

 

(First published in FHM Romania. Appears here by permission of S.C. Sanoma Hearst Romania SRL)

 

Posted in FHM 2010-2012 (Rom.) | Leave a Comment »

Hair today, gone tomorrow

Posted by mikeormsby on September 25, 2011

He’s very friendly, the man standing outside our hotel in shorts and polo shirt, with pink knees and a tennis racquet. He’s waiting for his ride. We look at the blue sky and chat about the weather here in Chad – it’s warm again, 35C at 08.45 am. He reckons it will be even hotter in a few weeks. He sounds fed up, restless.

He checks his watch and suggests we should have a beer sometime, get together on the hotel terrace. He asks my room number then says: “Hey neighbour, I’m right next door!”

He climbs into a dusty jeep. I can hear him complaining to his driver. How come you’re late, every Saturday?

As for me, I’m going to get a haircut. I stand and wait for my lift, watching lizards doing push-ups in dry grass.  They stare back: what’s your problem? It’s a fair question. My problem is security: every place I go, I’m assigned an official driver who takes me from A to B. Even for a haircut, 300m down the road. Fair enough, except when he’s half an hour late.

Eventually he turns up we drive down the main street. It’s full of honking cars and grinning kids but the salon is closed so we cruise around for an alternative. I spot one that looks OK. My driver parks the car, reclines his seat and pulls his baseball cap over his eyes.

The large African lady in the salon puts down her magazine and says: “Good morning! Haircut? No problem, hop in the chair, you’re my first customer.”

I hop in the chair and notice it’s a bit dusty. I also notice she doesn’t know how to tie the shawl around my shoulders and she squints at the buttons on her electric clipper. It sounds like a broken lawn mower when she plugs it in. She runs it over my head, yanking my hair out in clumps.

“Sorry,” she says, “I don’t know where they put the best clipper.”

I catch her eye in the mirror. “They?”

She checks my head and says: “The previous owners. I just took over the business.”

We get chatting. Ella is from just across the border in Cameroon. She asks me what I’m doing in Chad. I tell her I’m a media consultant, and she seems satisfied. I don’t tell her I am mentoring local journalists whose job is to produce and distribute radio programs that will counteract radical Islamist propaganda and promote religious tolerance. I don’t tell her people are worried about the thousands of unemployed young Chadian men who are bored and disenchanted and vulnerable to the influence of charismatic preachers and sometimes drift off to Pakistan. I don’t say the Chadian government is worried about extremist ideology. Because after fifteen minutes of the lawn mower, right now I’m worried about my hair. It looks like a dog got bored chewing it.

The hairdresser pokes her tongue from the side of her mouth like pink bubble gum, while she works. I ask, politely, where she trained. She squints at her clipper again and says:

“I’m not trained. You know what? I think maybe I need spectacles.”

I stare at her in the mirror. “But you are a hairdresser, right?”

She shrugs. “Me? No, I do manicures and pedicures. Would you like one? It’s only $50.”

“But your sign outside says hairdresser. You said I was your first customer today.”

“That’s an old sign. I meant you’re my first customer ever. For a haircut, anyway.”

I look at Ella. I look in the cracked mirror. No wonder my head resembles some old carpet. Ella squints outside towards the busy street and says: “Do you know where there’s an optician?”

I ask Ella if she knows where the previous owners put the best clipper. She says: “Good idea, I’ll have another look.”

She leaves me sitting in the dusty chair with my shawl hanging. I sit in silence, gazing at my reflection. A kid taps on the window: Ca va?

Next morning, I’m my hotel room when Benjamin knocks. He works here as a cleaner, but he’s also a budding musician. Benjamin plays in a church band and once a week, I give him a short lesson on my guitar.  He’s making progress. His friends are jealous. I show him the blues scale so he can practise. Halfway through the exercise he looks at me and says:

“Mister Mike, you have a funny haircut.” I tell him about Ella and he says: “You know, those Cameroonians…”

Later, I meet the friendly tennis player on the terrace. His name is Jim. He works for an embassy, spends a fortune building model aeroplanes and is single, which doesn’t surprise me. What does surprise me is the fact that Jim has been living in room 107 of our hotel since 2007. I gawk at him and say: “Four years, are you serious?”

He looks at my head and says: “More serious than your barber.”

So I ask Jim if he knows of a good salon, or a good optician.

***

(First published in FHM Romania, June 2011. Republished by permission of S.C. Sanoma Hearst Romania SRL)

Posted in FHM 2008-2012 (Eng.) | 2 Comments »

Fără foc nu iese fum

Posted by mikeormsby on September 3, 2011

Uneori, lucruri care par nesemnificative devin importante mai târziu

To read the story, please click the link below. Multumesc.

Fără foc nu iese fum

Posted in FHM 2010-2012 (Rom.) | Leave a Comment »

No Smoke Without Fire

Posted by mikeormsby on September 3, 2011


It’s the little things we remember


It’s a cold winter’s night at Anfield, home of Liverpool Football Club. My Dad and I watch the match from our seats high in the famous stadium. It’s a treat for his 70th birthday.

We hold our red and white scarves up and sing the songs we know so well. We swap opinions about who is playing well and who is totally useless. Liverpool win and Sheffield lose. It’s a good game, but not memorable, except for two minor incidents afterwards.

First, as we’re leaving the stadium, walking down steep concrete steps, my dad loses his footing. He wobbles like he is drunk, spins on his heel and grabs the handrail. We laugh and think no more about it. Second, in the cobbled streets outside, among fans and street hawkers, Dad forgets which way is home. I point to the right but he looks puzzled. I ask him if he is drunk. He laughs. We had only a cup of tea, at halftime.

“Better hurry or we’ll miss the bus,” he says and walks on, tying his scarf. He has no idea that this is the beginning of the end. Me neither.

In the queue for the bus a guy in a flat cap is smoking a roll-up cigarette. The smell reminds me of being a kid, watching my Dad roll a cigarette in thin white paper. He would pop the lid on his shiny green and gold tin, then pluck some tobacco and tease it into shape with nimble fingers, like a magician.

He would puff the fragrant smoke, give me a wink and say: “Don’t smoke, you’ll end up in a box.”

But he seemed to like smoking. And drawing. Sometimes he would sketch a funny cartoon on an old envelope. I would watch the pencil, waiting to see what came out of the end: usually some fat lady with big boobs complaining to her stupid husband, or a dog talking to a deaf cat. Dad was good at that stuff. He could make a joke out of anything, although he usually seemed a bit fed up with life, probably due to lack of sleep.

Whenever his tobacco tin was empty, he would add it to his growing collection in our garden shed. That shed was his private territory and always a bit of a mess even though he insisted there was a system. He would point at the shelf and say:

“For example, that big tin is for my nails, that big tin of for my screws, and that little tin is for my brain.” I would look at his finger. The tip was missing, from an accident.

“When the bandages came off, it hurt like Billy O,” he would say. I had no idea who Billy O was. But I knew I was Mikey O and Dad was Gerry O.

He worked in a factory, something to do with copper wire and cables. He did the night shift for many years. Mum would make his sandwiches before left the house. Dad would say cheese-please-Louise, even though her name was Veronica. He would take his bicycle from the shed. I would stand at the gate and on starry nights he would show me The Great Bear. Then he would ride away and I would watch his little red light until it disappeared. Next morning he would come home in a grumpy mood with eyes like oyster shells. He would sleep until afternoon, but it was never enough.

Sometimes, we would go shopping together. One day he stopped outside the opticians and said: watch this, Mikey. He groped the window, groped the door handle and went inside with his eyes all screwed up like he was blind and asked the man in the white coat: Is this the opticians?

After he retired Dad found a part-time gardening job. He liked pruning bushes. He should have been a barber. He could make your garden look like a skinhead in ten minutes.

He liked football too. That’s why I took him to Anfield.

A few weeks after the Sheffield game he fell off his bike and bashed his head. Sometimes he would wobble around the house like he was drunk. On milky tea?

My sister took him for a chat with a doctor. When Dad emerged half an hour later he said: “Apparently I’m going to die. But who isn’t?”

He had been diagnosed with Motor Neurone Disease, but was spared the worst because, a few months later, he tripped on a carpet at home and bashed his head again, badly this time. An ambulance took him to hospital where he survived a heart attack but not pneumonia.

My brother was with him at the end. Dad scribbled a last request on a scrap of paper – want my radio – and died listening to a Liverpool match on his headphones.

I left Liverpool many years ago and these days my base is rural Romania. I recently received some of Dad’s ashes in one of his old tobacco boxes and last week, at midnight, I scattered them on a hill in Transylvania. The wind blew the fine grey powder all over me, as if Dad was having a final joke. Or maybe he was just saying: I’m with you.

It was a starry night, so I looked up at the Great Bear, and tried not to cry.

(This story was first published in FHM Romania, July 2011, and reappears here with permission of S.C. Sanoma Hearst Romania SRL.)

Posted in FHM 2008-2012 (Eng.) | 7 Comments »

How to wash wool

Posted by mikeormsby on June 5, 2011

“You should stay in an expensive hotel and call room service. Or maybe not.”   

    

   

Our Land Cruiser is bumping along a dusty street past barefoot kids. We’re going to a market in N’Djamena, capital of Chad. It’s extremely hot today. But I need to buy a woollen sweater. My driver Isaac looks puzzled. “A woollen sweater, Mister Mike?” So I tell him I forgot to pack one and I get cold at night. Isaac nods. He knows just the place.

We stop and walk through narrow aisles packed with fruit and vegetables, baseball caps and gadgets from China. An elderly Arab is sipping tea from a tiny glass, squatting on a wooden stool among a pile of faded jeans and sweaters. His white turban is wrapped tight, his skin wrinkled like a dried date. He smiles as we approach. I check his sweaters: 75% polyester. I tell him in French that I would prefer wool. He reaches under his stool and pulls out a beauty. Wow. It’s an Aran, a real one. I can tell from the way it hangs over his arm, heavy and creamy-white, like a dead lamb. I check the label and, sure enough, I discover that it’s hand-knitted from County Galway, Ireland. I pull it over my head. I can smell the lanolin in the wool. Perfect fit. I want it.

The wrinkled Arab wants $16. It’s peanuts for this sweater but you should always haggle so I ask for Best Price. He says $15 and sips his tea. I try $14 and he yells: “Pay up or get lost, that’s a good one and you know it!”  I give him $15. He’s not smiling anymore, but I am, back in the Toyota. Isaac looks puzzled until I tell him why.

The traditional Aran sweater is named after the Aran Islands off the west coast of Ireland. It’s a fisherman’s sweater with distinctive patterns, usually a creamy-white colour, or báinín in Gaelic. When I was a kid in Liverpool my Mum would knit them, but not now. I show Isaac the patterns in the wool. “The honeycomb symbolises the industrious bee. The basket symbolises the fisherman’s catch. The diamond is for good luck. See?”

Isaac clicks his teeth. “You were lucky today, Mister Mike.”

He’s right, as usual, and when I drape my new sweater around my shoulders that night on the hotel terrace, I’m as happy as a dog with two tails. It feels almost brand new. I doubt it’s even been washed. But how did this beautiful Aran travel 3000 miles to the middle of Africa and arrive in such good condition?

My luck does not last long. A few days later, my Aran falls on the floor and gets ugly grey lines of dust up the front and down the sleeve. Damn. I phone room service and ask if they know how to wash wool. The little voice on the other end says: “But of course, Mister Mike. This is a 4-star hotel.”

The young guy from the laundry is very keen when he knocks at my door, but I explain just in case: “This is an Aran. You must take care. Use lukewarm water and wool-friendly soap. Squash it in a towel to remove the water. Dry it flat, over a day or two, OK?”

He assures me he knows how to wash wool and disappears down the corridor, swinging my precious sweater like a dead rabbit. I lie on my bed to watch footy. I phone my Mum and tell her about my amazing Aran and the young guy who knows how to wash it.  She replies: “What are you, nuts?”

She’s right, as usual, because the phone by my bed rings two hours later and a little voice announces: “Mister Mike, it’s ready. Shall I bring it?”

I reply: “My sweater? No way. It can’t be ready. It won’t be dry.”

“It’s dry,” says the little voice. He hangs up. I stare at the wall and say a word beginning with F. I say some more rude words when I open the door three minutes later because my Aran sweater is now the size of a teabag, except it has arms. I howl like a dying wolf. I hiss like a cornered cat. The air turns blue with my curses. The laundry guy says: “Is there a problem?” I ask him how he dried my Aran. He replies: “In the tumble dryer, like you said.” He leaves soon afterwards, before I can throw him over the balcony.

Next day I show my sweater to the manager, Claude. “Mon Dieu,” says Claude and agrees to pay me the cost of replacing it. I suggest he teach his staff how to wash wool, seeing his hotel charges $200 a night. Claude holds up my sweater and says: “It might fit a midget.”

On the Internet I find the company that made my Aran. An exact replacement costs €100. I click BUY. I receive the new one a few weeks later. It’s a beauty. The guy from the laundry writes me an apology about how he’s still learning and no piece of work is perfect. I write back: Thanks, do you know any cold midgets?

(This story was first pubished in FHM Romania, May 2011. It reappears here with kind permission of S.C. Sanoma Hearst Romania SRL ).

Posted in FHM 2008-2012 (Eng.) | 2 Comments »

Cum se spală lâna

Posted by mikeormsby on June 5, 2011

„Stai la un hotel scump şi sună la room service. Sau mai bine nu!”

Please click on the link below (PDF from FHM May 2011). Multumesc for reading.

Cum se spală lâna

Posted in FHM 2010-2012 (Rom.) | 1 Comment »

Chad: Big smiles and little scorpions

Posted by mikeormsby on May 11, 2011

 

 ‘Revolution? We’re not angry, we’re exhausted.’

 

The first thing you notice in Chad is the heat. You step out of the plane at midnight and it feels like someone pushed you into an oven. The desert air thumps you in the chest and sucks oxygen from your lungs. I’ll be halfway through a six-month stay in the capital, N’Djamena, by the time you read this. Most days the temperature is 45 to 50 C. Trust me, I carry a pocket barometer. I have never seen mercury rise so fast.

The second thing you notice is their flag, the same as Romania’s. When I tell the locals I live in Romania, they smile: ah yes. But the shoe cleaner outside my hotel frowns and says: “Your president told us to change our flag. That was not nice. Do you think we should?” I tell him no, and by the way I’m not Romanian, it’s just my adopted home. He asks me how is Romania. So I tell him. He asks if I want my shoes cleaned for $7.

He does a good job. He uses petrol to clean them and three cloths with polish. His name is Jeudi. That’s ‘Thursday’ in French. I’m tempted to ask if he’s read about Friday in ‘Robinson Crusoe’, but I don’t. Jeudi tells me to check inside my shoes every morning for scorpions. “Are you serious?” I say. “About what?” says Jeudi. He looks tired, bored and I’m not surprised. He has few clients. He used to work in construction, but the work dried up. He needs contacts. Do I have any? I slip him $10 and promise to keep my ears open. “And also look in your shoes,” he says, with a smile.

Chadians are friendly but have a weary air, as if they’ve lost hope. You would probably feel the same if your country had recently emerged from a 50-year civil war. There are plenty of bullet holes in N’Djamena.

Lots of soldiers too, hundreds of them, wearing all sorts of uniforms and hats. The elite troops outside the presidential compound cradle their AK 47s and stare at you until you look away.

My driver, Abaka, is a nice guy, quiet and safe with gentle eyes. He wears a long white turban around his head and neck, like we’re riding camels, not a Land Cruiser. I’m in the back seat, asking how’s life. He says life is OK, thanks. I ask if he has kids. He says two girls, but he used to have three. I lean forward, watching the road. “How do you mean, Abaka?”

Abaka says: “I sent my eldest to visit her grandparents in our village. But after two weeks she got malaria and died. She was 12. I was very sad.”

He sounds so matter-of-fact I hardly know how to reply. I assume it happened a few years ago and he’s had time to grieve. Now he’s dodging the potholes, lost in thought. A pick-up truck overtakes us, full of soldiers in smart uniforms with guns and radios. The smallest soldier, sitting on the tailgate, gives me a hard look. He’s just a kid, 12 years old, maximum.

“When did your daughter pass away?” I ask. Abaka shrugs, as if counting in his head. Finally, he turns and says: “About seven weeks ago.”

Over the next month, three of my Chadian journalist colleagues come to work bleary- eyed, walking around in a daze. I learn that their young cousin has just died of a bad tummy; their auntie got knocked off her motorbike; their uncle passed away with meningitis. In Chad, death stalks the land. That’s life.

Life in a hotel, of course, for the privileged few, is easier. Mine has a pool, a small gym and barbecued fish. However, as I write, a mosquito the size of a wasp is howling around my room, waiting for its chance.

I’ve been watching the Arab world ignite on a flat screen TV in the hotel bar. I ask some Chadians if a revolution would happen here. They just chuckle and say: “Mister Mike, we are not angry, we are exhausted.”

One of my friends in Chad is named Laguerre, which means ‘war’. He invites me to a hip-hop show and we sit on stone steps around a low stage under an open sky, studded with more stars than I’ve ever seen. The rappers are strutting their stuff. The guy to my left is dressed all in white, chewing a little stick, his head wrapped in a turban that cascades down his shoulders. His eyes are closed and his flip-flop is rocking to the beat.

Back at the hotel, I ask Jeudi about scorpions. He says they sit on door handles, so watch out. Then he laughs. “When we were kids, we used to pick up little ones by their tails. But you have to know how or they sting.”

“Does it hurt?”

“Like hell for three days. But the big black ones are worse, Mountain Scorpions.”

“What happens if they sting you?

“You die in three minutes.”

Next morning, I check inside my shoes. Then I check the calendar.

This article was first published in FHM Romania (April 2011) and appears here by permission of S.C. Sanoma Hearst Romania SRL.

Posted in FHM 2008-2012 (Eng.) | 2 Comments »

Ciad: Zâmbete mari şi scorpioni mici

Posted by mikeormsby on May 11, 2011

„Revoluţie? Noi nu suntem supăraţi, noi suntem extenuati.”

Aici este articolul meu publicat de revista FHM in luna Aprilie 2011

Please click on the link below, for the PDF. Multumesc for reading!

Zambete mari si scorpioni mici

Posted in FHM 2010-2012 (Rom.) | Leave a Comment »

 
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